Submitted By: ysp

Genre: Techno

Date of Set: Jul 28th, 2002

Filesize: 72.00 MB

Total Downloads: 59

In 1998 Aril Brikha reacquainted the world with deep techno soul, as his record Groove La Chord crossed generic boundaries. Is it techno? Is it house? Is it deep house? It's everything and nothing. Groove La Chord is simply timeless. No one was more surprised about the success of Groove La Chord than Brikha himself - after all, he'd originally presented it on his demo as a potential B-side. Two years after he recorded Groove La Chord, Brikha heard it in a club for the first time - Derrick May pulled it out in Chicago. Aril then realised it was a good track.

The renegade always walks alone. As a cultural exile in Sweden, Aril Brikha has never been one to conform. Born in Iran with Assyrian ancestry, Brikha emigrated to the Scandinavian country at three. Brikha demonstrated his musicality early - with his parents nurturing his talent. At seven, Aril was given a keyboard and his father, a pianist, taught him to play. Before long, Aril was picking up notes by ear. In his early teens he developed an interest in electronic music acts - such as Depeche Mode, Front 242 and Jean Michel Jarre.

Brikha obtained an Atari and started to use a sequencer and, after initially emulating the music of others, he began composing his own at 16. Friends who heard his material told him it was 'Detroit techno'. Brikha had no idea what that was - and so they played him records by Robert Hood and Berlin's Basic Channel. At a time when the Swedish techno sound was starting to be identified with minimal, loop-based 'DJ tools', Brikha was creating cerebral, emotional and spiritual electronic music. No one wanted to listen. Brikha disseminated his earliest material on Swedish imprints - Dunkla, Plump, and Placktown - but realizing that his music wasn't what the local labels were seeking, he looked for fresh outlets. Aril, now residing in Stockholm, obtained the addresses of three independent companies - among them Derrick May's Transmat Records - and posted out demos.

As it happened, Transmat contacted Brikha and, as a consequence, his Art Of Vengeance EP (with Groove La Chord) was issued on its sister label, Fragile, in 1998. A year on, Aril followed it up with the LP Deeparture In Time, a collection of evocative grooves - like the intricate Embrace, transcendent Otill and the electro-funk Setting Sun - gathered over a six year period and laid down with just one keyboard, a drum machine and an Atari. It drew exultant reviews. Since forging an alliance with Transmat, Brikha, celebrated as the new star of deep techno, has toured solidly with his live show, playing everywhere from the inaugural DEMF (Detroit Electronic Music Festival) to in-vogue clubs like London's Fabric and Tokyo’s Air and Yellow.

http://www.myspace.com/arilbrikha
http://www.artofvengeance.com/

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