Est. April 2003
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If you are the owner of any of these live sets or mix sets and wish to have them removed, please contact us by clicking here.
Overall Rating: 8.4
Audio Quality: 7.8
9
0
11 other sets by DJ Bone
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DJ Bone - At Vibe Flow Radio - Aug 2003
Submitted By: 
Yotamavni
YotamavniGenre: Techno
Date of Set: Aug 15th, 2003
Filesize: 154.00 MB
Total Downloads: 35
Biography of DJ Bone
DJ Bone is one of Detroit’s most coveted underground vinyl technicians. This very talented and highly sought after Artist plays events and clubs worldwide, has held a residency position at four of Detroit’s top clubs and produces music inspired by the city in which he lives, Detroit. His record labels Subject Detroit and Encounter are futuristic and unearthly while still displaying the true essence of Detroit’s Techno Soul.Bone experienced the emotion, passion and energy of Detroit Techno first hand at the infamous Music Institute. What he witnessed there, along with the eclectic mix of music filling Detroit’s airwaves by the legendary Electrifyin’ Mojo and The Wizard, along with Detroit’s industrial backdrop, would serve to be Bone’s main influences.
Bone began his DJ career spinning groundbreaking sets weekly at The Love Club (The Shelter). From there he gained a dedicated following which eventually led to him playing at three different clubs five nights a week as well as several underground parties in Detroit. An invitation to provide fortnightly, live mixes for the Deep Space Radio show on 107.5 in Detroit was also extended.After hearing Bone in Detroit (1996 Love Club Anniversary Party) Laurent Garnier booked him to headline at the Rex Club in Paris. Soon after word spread and Bone was invited to play events all over Europe. He gained momentum and began performing in locations such as Tokyo, Slovenia, and Mexico to name a few.
Observing a lack of electronic music, which fit his style, led Bone to produce his own original songs to incorporate into his funky and eclectic sets. He took it a step further and started his labels Subject Detroit and Encounter focusing on true Sonic Soul.In late 1997, Bone began his residency at the Motor Lounge in Hamtramck (bordering Detroit on all sides) pioneering an underground Detroit Techno night. Within a month, the number of Bone’s weekly session attendees topped 1,000 as well as tens of thousands of others tuning in to his live set broadcast on the radio every Friday from midnight until 2 am (87.9 FM). Always looking to expand minds and move bodies, Bone took on the challenge avoided by so many DJs before him familiar with Detroit by name only. For nearly three years, he amazed his crowds, which included out-of-towners from as far as Japan and Australia alongside his Detroit faithful. Unfortunately, due to Motor’s attempt to exploit what Bone had founded and loved, he decided to depart from the club and his residency.Bone also has performed during concept car shows at the North American International Auto Show (twice), the Cadillac Concept car unveiling in Geneva, Switzerland the 2000-2002 DEMF, fashion events and was asked to serve as a Board Member for the 2002 DEMF.
Observing the trend of producers being booked to spin as opposed to actual DJs fueled Bone to go against the grain and establish himself as a DJ primarily. He believes that an individual’s talent should speak for it and not be overshadowed or misconstrued by hype.
Bone is currently focussing his attention on his record labels (Subject Detroit and Encounter), concentrating on pushing the imaginations of those who live for a true underground vibe.
http://www.dj-bone.com/
http://www.7mzdt.com/subjectdetroit/
Bone began his DJ career spinning groundbreaking sets weekly at The Love Club (The Shelter). From there he gained a dedicated following which eventually led to him playing at three different clubs five nights a week as well as several underground parties in Detroit. An invitation to provide fortnightly, live mixes for the Deep Space Radio show on 107.5 in Detroit was also extended.After hearing Bone in Detroit (1996 Love Club Anniversary Party) Laurent Garnier booked him to headline at the Rex Club in Paris. Soon after word spread and Bone was invited to play events all over Europe. He gained momentum and began performing in locations such as Tokyo, Slovenia, and Mexico to name a few.
Observing a lack of electronic music, which fit his style, led Bone to produce his own original songs to incorporate into his funky and eclectic sets. He took it a step further and started his labels Subject Detroit and Encounter focusing on true Sonic Soul.In late 1997, Bone began his residency at the Motor Lounge in Hamtramck (bordering Detroit on all sides) pioneering an underground Detroit Techno night. Within a month, the number of Bone’s weekly session attendees topped 1,000 as well as tens of thousands of others tuning in to his live set broadcast on the radio every Friday from midnight until 2 am (87.9 FM). Always looking to expand minds and move bodies, Bone took on the challenge avoided by so many DJs before him familiar with Detroit by name only. For nearly three years, he amazed his crowds, which included out-of-towners from as far as Japan and Australia alongside his Detroit faithful. Unfortunately, due to Motor’s attempt to exploit what Bone had founded and loved, he decided to depart from the club and his residency.Bone also has performed during concept car shows at the North American International Auto Show (twice), the Cadillac Concept car unveiling in Geneva, Switzerland the 2000-2002 DEMF, fashion events and was asked to serve as a Board Member for the 2002 DEMF.
Observing the trend of producers being booked to spin as opposed to actual DJs fueled Bone to go against the grain and establish himself as a DJ primarily. He believes that an individual’s talent should speak for it and not be overshadowed or misconstrued by hype.
Bone is currently focussing his attention on his record labels (Subject Detroit and Encounter), concentrating on pushing the imaginations of those who live for a true underground vibe.
http://www.dj-bone.com/
http://www.7mzdt.com/subjectdetroit/
Not available
Rating: 
(7)
Sep 08, 2004
Comment: not that impressed. dull sound quality of 128kbps. set lasts over 2 hours.
Rating: (9)
Oct 29, 2004
Comment: solid ,smooth set as usual by bone here,smooth cuts ,beat bouncing ,expect everthing you'll expect out of bone here,great tune selection,even got a bit of kraftwerk in there ,all the tunes you want to here in here so get yourself a piece of it.
Rating: (8)
Nov 17, 2004
Comment: There is a tracklisting compiled by Dreamdancer and provided here: users.skynet.be/detroitdancer/ .
Rating: (8)
Nov 18, 2004
Comment: dj bone is excelent detroit dj.. this mix proofs it..great sound, great tunes..
Rating: (10)
Apr 24, 2005
Comment: great set
always welcome to bone,u know what your going to get from him and that is good mixing and classic tunes..
cheers for the set
always welcome to bone,u know what your going to get from him and that is good mixing and classic tunes..
cheers for the set
Rating: (9)
Aug 21, 2005
Comment: loving your work bone. some classics on here you will not be dissapointed!
Rating: (8)
Sep 14, 2005
Comment: great set, good sound with nice mixing numbers.
dj bone is great
dj bone is great
Rating: (8)
Oct 09, 2005
Comment: this is a really energetic, fast paced and varied set. top tunes from one of the best djs in detroit. his mixing isn't perfect, but we all make mistakes.
Rating: (8)
Apr 02, 2006
Comment: Great set with heaps of classic tunes. His mixing is amazing. Great techno
Rating: (8)
Jul 19, 2006
Comment: i dont think i got the whole set...but what i did get was some classic detroit goodness...very energetic.
Rating: (9)
Oct 06, 2006
Comment: Nice mixing technique, fine tracks, detroid style... good at all 
Rating: (8)
May 06, 2007
Comment: About an hour in so far and loving it. Theres just something I love so much about DJ bone that is only present slightly in a few other techno DJ's and thats way he cuts and slams each track around all the time and it just makes his mixes sound so much different compared to others. A good example of his is "Attack 37" I think, check that out!
Rating: (8)
Feb 07, 2008
Comment: first off, i felt bad giving this (a dj bone mix) only 8 out of 10 points. but the mix is a little scattered. i first heard him on his subject detroit 2 (SD2) mix cd - one of the best mixes i've ever heard. if you can find a used or new copy of that i strongly recommend you pick it up!
with this mix the sound quality in the beginning is a little off (first 15 minutes maybe). dj bone is also a serious nob tweaker and the dynamism of his sets seems a little lacking - i suspect because of the sound though it could also be my system.
he begins with Good Girls by Designer Music which is a wonderful track to start a pounding set with but the energy of the mix keeps rising and falling between solid dance tunes and more soulful or introspective detroit sounds. there are a few tracks that sound a bit out of character for him (like the green velvet track around the 23rd minute) but he pulls it off nicely. later in the mix he spins an old orbital track which feels more out of place. there are a number of other recognizable classics sprinkled throughout the mix (jeff mills - the bells) which means that even if this isn't his best mix there will be lots for everyone to enjoy.
i just wish that he kept the energy levels more consistent as it feels like it flips around a bit (also the electro moments in the mix feel like the take away from the mix - even though they are enjoyable).
around the 1 hour 20 minute mark the mix drops to a more laid back feel. it isn't as rich and soulful feeling as his SD2 mix and so it falls a little flat for me. the mix never really regains it's edge or intensity. and flounders in the last hour. the aforementioned orbital track and a public enemy track are sprinkled amongst a couple of great tracks that he dropped on SD2 to much greater effect.
now, this review has been really critical. the 8/10 score is for two reasons really. first, the first hour or so, whatever it's failings in sound quality is quite good and nice to bounce to. that hour+ alone is the length of most mixes out there and so it could stand on it's own should you edit the track down on your own. second, the public enemy track, however poorly it fits in with the mix, is a political statement and in the dance scene there are so few people willing to make much of a statement of any sort (outside of particular cities). detroit artists have generally kept reality in the mix and this PE inclusion is testament to that. we gotta remember that dancing and partying isn't the new utopian project. there are serious problems of racism, inequality and oppression in this country and if our music doesn't engage and reflect that then we are part of that problem.
with this mix the sound quality in the beginning is a little off (first 15 minutes maybe). dj bone is also a serious nob tweaker and the dynamism of his sets seems a little lacking - i suspect because of the sound though it could also be my system.
he begins with Good Girls by Designer Music which is a wonderful track to start a pounding set with but the energy of the mix keeps rising and falling between solid dance tunes and more soulful or introspective detroit sounds. there are a few tracks that sound a bit out of character for him (like the green velvet track around the 23rd minute) but he pulls it off nicely. later in the mix he spins an old orbital track which feels more out of place. there are a number of other recognizable classics sprinkled throughout the mix (jeff mills - the bells) which means that even if this isn't his best mix there will be lots for everyone to enjoy.
i just wish that he kept the energy levels more consistent as it feels like it flips around a bit (also the electro moments in the mix feel like the take away from the mix - even though they are enjoyable).
around the 1 hour 20 minute mark the mix drops to a more laid back feel. it isn't as rich and soulful feeling as his SD2 mix and so it falls a little flat for me. the mix never really regains it's edge or intensity. and flounders in the last hour. the aforementioned orbital track and a public enemy track are sprinkled amongst a couple of great tracks that he dropped on SD2 to much greater effect.
now, this review has been really critical. the 8/10 score is for two reasons really. first, the first hour or so, whatever it's failings in sound quality is quite good and nice to bounce to. that hour+ alone is the length of most mixes out there and so it could stand on it's own should you edit the track down on your own. second, the public enemy track, however poorly it fits in with the mix, is a political statement and in the dance scene there are so few people willing to make much of a statement of any sort (outside of particular cities). detroit artists have generally kept reality in the mix and this PE inclusion is testament to that. we gotta remember that dancing and partying isn't the new utopian project. there are serious problems of racism, inequality and oppression in this country and if our music doesn't engage and reflect that then we are part of that problem.
Rating:
(10)
Sep 07, 2004