LTJ Bukem - Switch Radio - Brussels BE

Biography of LTJ Bukem

Just who is LTJ Bukem? Ground breaking DJ? Inspirational musician? Record label entrepreneur? Club visionary, perhaps? When the man behind those wire rimmed glasses and that disarming smile writes his job description just what does he put? The man who took the drum and bass concept from a small venue off London's Charing Cross Road to the nation's superclubs and then onto the international stage? The geezer whose records launched breakbeat into a brand new galaxy of sound? Or maybe he just writes 'Renaissance man for a digital age'. In truth LTJ Bukem is all of the above. Although he wouldn't like to admit it, LTJ Bukem is the living embodiment of the post-acid house entrepreneurial creative spirit. He is a mild mannered energy flash whose panoramic musical vision has found success in every area he has explored. From running soundsystems to cutting up breaks at raves, from relocating the heart of breakbeat culture to redefining the spirit of drum and bass, the man known to his friends as Danny Williamson has sat at the forefront of breakbeat evolution, lighting the way with little more than a zest for life and a love of music. In other words, LTJ Bukem is a man on a mission!

Bukem's first introduction to music was, like so many others, through piano lessons as a child. Unlike so many others however, the young pianist turned out to possess a natural talent and he quickly moved through the piano grades. Classical music represented the soundtrack to his home life. Both parents having a passion for Rachmaninov and Tchaikovsky that rubbed off on their son. However it was when the family moved to Watford and Bukem changed music teachers that he developed his first true musical love. Thanks to a progressively minded teacher called Nigel Crouch - with whom he lost touch but, after a long search, has recently found again - he was introduced to the world of jazz fusion, a style which has informed his work ever since.

In the mid eighties, at the age of seventeen, Bukem discovered the joys of clubbing. The teenager regularly checked out the local soul clubs and legendary rare groove all dayers. As a keen record buyer he soon became interested in the idea of putting over his own version of the club soundtrack and before long he got involved with a sound system. Throughout this time he also had a jazz funk band, although this had never presented itself as a serious past-time, just fun. The DJing was his main thing and by 1987 he gained something of a reputation for his sets. However it was 1988 that Bukem first realised that DJing could offer a full-on career.

In 1990, LTJ Bukem got his first big break at Raindance. Booked to play between 1 & 2 AM in front of 10,000 people, it was the first true test of the fledgling DJ skills. It may have taken all his mates to push him onto the stage but it proved to be a set that he'll never forget. From the first track he ripped it up and LTJ Bukem, the world class DJ was truly born. Around this time Bukem had also ventured into the studio to record a track which was to become one of the most influential records of the era. Called 'Logical Progression' it surfaced on the newly formed Vinyl Mania imprint. At once anthemic and relaxing it offered the first true blueprint to Bukem's sonic vision.

By the time of his follow up to 'Logical Progression' Bukem had set up his own imprint. Run from a small office in Harlesden, London, the label was christened Good Looking and its debut offering came in the shape of 'Demon's Theme'. Finished in mid 1990 and pressed up onto dub-plate, Bukem dropped it into his sets for a full year just to test the reaction before he finally released the track officially in July 91. 'Demon's Theme' caught people's imaginations immediately, its soulful combination of rushing breaks, lush ambience and mellow vibes opening up fresh vistas within the increasingly dark ambience of the rave.

Bukem's next release was 'Apollo' in 92, however his biggest breakthrough came with his next release 'Music' in 1993. In 1994 Bukem unleashed '19.5' while the release of the similarly epic 'Horizons' coincided with the opening of the legendary 'Speed' at the Mars Bar off the Charing Cross Road in London. It was an important time for Bukem. The label was gaining ground with its growing catalogue of must-have tunes and his own in-demand DJing. The launch of Speed was intended to run hand in hand with the growth of Good Looking while also offering a focal point for the growing drum and bass scene. After a shaky start, which almost forced the night into closure, 'Speed' quite literally took off one night in the summer of '94.

Typically for Bukem he made the most of the situation to forward his vision. He used the sudden media limelight to highlight Good looking Records and its label roster. In 1995 the label licensed a compilation to London Records. Called 'Logical Progression' it featured exclusive cuts from the roster alongside old tracks and is still one of the highest selling drum 'n' bass compilations to have been released.

'I wanted to see the label grow, I wanted to invest in the people who were signed to the label, so the move had to happen. It was never simply about LTJ Bukem, it was about Good Looking Records, Logical Progression and the sound.' Bukem's own music never took a back seat. There were remixes (including astounding reworks of Jodeci's 'Feenin' and Michelle Gayle's 'Sweetness'), his own addition to the label compilations and a collaboration with David Arnold on the infamous James Bond theme to 'Thunderball'

In the middle of all of this rampant activity Bukem also managed to release the 'Mystical Realms EP' in March 98. The EP featured 'Twilight Voyage' with some somber flute refrains, chopping keys and outer world ambience. The vocal and instrumental versions of 'Orchestral Jam', with its urgent break, echo dropped sonar and dissonant violins, and final track; the reflective, Herbie Hancock-esque 'Journey Inwards'. Three new tracks, each representing a deeper development of the Bukem sound, further underlining Bukem's position as a sonic leader of post rave breakbeat culture.

Bukem went further and continued to produce and mix some of the World's best Drum 'n' Bass and cross-over compilations that have ever been put out. Titles such as Progression Sessions, Earth and further instalments of Logical Progression series have become notorious for their and exciting directions that Bukem has always strived to take, but without losing sight of his original musical roots and all the things that inspired him in the beginning.

The beginning of the 21st century saw LTJ Bukem continuing his extraordinary musical odyssey with his long awaited solo album Journey Inwards. A diverse and multi directional album of Drum 'n' Bass, Soul, Downbeat and house tracks that opened the eyes of those that had no faith and warmed the soul's and inner belief's of those that did. He has also added to his impressive remixing portfolio with his interpretation of 'The Essence' by jazz legend Herbie Hancock. On top of this he has continued the Progression Sessions series, with a storming live performance from the USA captured on CD, compiled the highly acclaimed Soulfood and Soul Addiction compilations, released not one but two Producer CDs, and continued to set the venues of the world alight with his stunning DJ sets.

http://www.myspace.com/therealdannyltjbukem

MC Conrad - Switch Radio - Brussels BE

Biography of MC Conrad

Thanks to his partnership with LTJ Bukem, MC Conrad has become one of the leading voices of the British drum'n'bass movement. His freestyle rhymes bring a sense of humanity and excitement to Bukem's Good Looking Records camp's many live performances and to their popular Progression Sessions series of albums. This polished and proven partnership between Good Looking's stable of DJs -- Bukem, Blame, Tayla, Rantoul, as well as others -- and Conrad sets the collective apart from the countless other DJs and MCs still struggling to mix rapping with drum'n'bass mixing. The British MC developed an ear for music at an early age, listening to his family's record collection before eventually being turned on by the early '80s electro scene. From electro, it was only a logical progression that he would soon immerse himself in the flourishing rap scene that was still developing in the mid- to late '80s. Of course, despite Conrad's interest in rapping and his experiences rapping for local hip-hop groups, British hip-hop simply never happened. After growing jaded with the struggling hip-hop scene in Britain, he began investigating the country's burgeoning rave scene in the early '90s, eventually hooking up with the ambitious man known as Bukem. As Bukem's career as a precise DJ, a visionary club host, an innovative producer, and as the man behind Good Looking Records began to flourish, Conrad soon found himself an important member of the Good Looking camp, often the guiding voice at the live performances. Soon expanding beyond live performance and into the recording studio, Conrad began working on a project known as Words 2 B Heard, which aims to bring together vocalists, musicians, and producers in hopes of taking live vocal music to the next level of innovation. Conrad was featured on the first installment of Good Looking Records' Vocalist series, released in 2001.