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When the exceptional British DJ and cult presenter John Peel played “Abi 99” shortly after its release in 1999 on his legendary radio show, it became clear that the five years of research with synths and drum machines had been worth while.
Inspired by the public interest, Spieth remixed Egoexpress on Ladomat during the following year, and added “You Don’t Fool Me”, the follow up-12 inch and published his debut album “Fluchtpunkt” on the Cologne-Stuttgart label “onitor”.
He followed this with a lot of highly recomended releases and remixes for acts like 'Process', Michael Mayer and more.
In the past years he travelled as a DJ all around Europe, where he usually chose the narrow path between harsher House and rather minimalistic Techno.
“A set must be multifunctional, to build up and break down pressure”, he explains – a statement that - especially in times of inflationary minimalisation - is not only very courageous, but musically also offers a constant welcome change.
Even if the latest productions and DJ-Sets are less noisy, Joachim has always kept his weakness for massive beats and basses, for the felt beat – precisely for the one which makes people go nuts.

