Submitted By: geekedonsugar

Genre: Techno

Date of Set: Jun 14th, 2008

Filesize: 172.80 MB

Total Downloads: 10

Being in the music biz for over a decade, co-founding and building up internationally respected electronic music labels and projects like Alphabet City, Terminal M, Le Petit Prince or PSI-49-Net, Marc never got tired of coming up with fresh and innovative ideas in order to push the limits of electronic sounds.

Out of the dungeons of Monchengladbach, Germany the thirty-something pulls the strings and makes things happen. His recent and most successful move definitely was to give birth to the already well established electro/house imprint Systematic in 2004 in Berlin which is a platform for his own productions as well as for hot and upcoming talents. Electronic house music with a certain breakdance appeal, reminiscent of old school Chicago dance floor insanity is Romboys true passion, when it comes to deejaying, producing and making decisions as the Systematic commander!

So far for the label he has collaborated with such high profiled artists as Phonique, Stephan Bodzin, Robert Owens, Martin Landsky or Blake Baxter and signed mixes from producers like Marco Passarani, Radio Slave, DJ Fex, Tommie Sunshine or Robert Babicz, just to mention a few. After only more than twenty Systematic releases and two albums Romboy already managed to put his own stamp on the international club scene as a label manager and a producer and surely hell do the same as a DJ too.

Submitted By: geekedonsugar

Genre: Techno

Date of Set: Jun 14th, 2008

Filesize: 172.80 MB

Total Downloads: 10

Marascia starts his artistic carreer in the mid 90s working actively for some independent labels. Among some of his first house music experiments the land of rhythm EP gets immediate international feedback. From this moment on his name starts appearing on the most influential djs charts and playlists. He works as a producer as well as a remixer and he is asked to remix tracks by Todd Terry, John Aquaviva and Richie Awtin on legendary labels such as Illegal and Strictly rhythm. He then starts djing in the most important clubs in England, Spain, Germany, France and even Russia. But it is only from 1997 that Marascia starts releasing real charts hits. When Ride on the Rhythm was released with the name Blackwood it went straight to number one on the Italian charts and and was top ten in many other countries. Then followed My love for you and Peace. Both tracks were big hits being played on the main radio networks and tv shows. After the Blackwood project he released another single with the name Chase called Obsession. The tracks title was a sort of prediction because he was a huge success becoming a real radio obsession of the late nineties. Jumping onto the new millennium Marascia gets acquainted with one of the most famous Italian djs of that period who was to become his current executive producer. Meanwhile he writes and produces two tracks for the Brazilian singer Vania Agua y amor e La brisa del mar which have been a dancefloor filler all over the globe. He then begins to work for Stefano Noferinis label Sound4group and starts working on more peculiar tracks in which he adds drums and percussions creating a very original sound that will become a real trend in the underground scene. The result is an explosive mix of electro sound and tribal atmospheres that made tracks like Chemical attraction and Genetically changed a new step in dance music. With the help of his executive producer Stefano Noferini Marascia works on The Rumbar project alongside with Kortezman, who was also involved in the earlier Blackwood and Chase projects, giving birth to the track A bailar mi gente that was a huge success and got licensed all over the world on labels like Emi, Virgin, Konrad Global Productions e New Records. His style is instantly recognisable and Marascia is the only artist that ever entered the dance charts (over 10 weeks on the Deejay parade) with tribal house tracks creating a sort of little revolution in the dance scene. In 2002 Marascia releases Shake it that was to be one of the most played dance tracks of that year played on all the major Italian radio networks (radio Deejay, kiss kiss network, radio Italia network) and soon licensed to all the most prestigious foreign labels finally reaching number 8 on the American Billboard dance chart. In a few words Marascia is an international phenomenon that cannot be stopped To be continued ...

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