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Anton Banks - The Vault - Mar 2008
Submitted By: 
lil_al_5
lil_al_5Genre: Techno
Date of Set: Mar 26th, 2008
Filesize: 98.49 MB
Total Downloads: 2
Biography of Anton Banks
In 1993 Anton Banks was a student at the University of Rochester and was into hip-hop and euro-dance pop music. He especially liked the beats and rhythms found in this music but became increasingly disinterested in the lyrics. Looking for something different, Anton borrowed a compilation CD from a friend. That CD was 'Moove Your Body' from Tribal America Artists. Soon he was obsessed with all forms of underground dance music and broke all ties to the pop music scene. Anton found myself buying all the rave and house music he could find at a store called 'The Record Archive'. Also at about the same time Anton started going to a club in Rochester called 'Heaven' which was a stripped down version of New York City's infamous super club , the Limelight, as it was also built out of an old church. He only knew that he liked the music but it would be almost a year and a half later before Anton realized that he had been listening to early techno in it's heyday in the form of tracks like The Goodmen's 'Give it up', Jaydee's 'Plastic Dreams' and an assortment of music from early Detroit and Plus 8. The turning point came in 1994 when Anton first heard 'Psychotrance', a mixed CD by Mr. C on Moonshine Music. This CD and his experiences at 'Heaven' gave him a desire to learn to spin records.
In 1995 Anton transferred to Central Connecticut State University and joined the school's radio station, 107.7FM WFCS, as the student engineer shortly after that. As the engineer he had 24 hour access to turntables and an audience and used this opportunity to learn to mix records by taking advantage of dead air (which was and still is often at WFCS) to practice mixing. Through WFCS Anton met other people such as DJ Rockphonics- founder of Equinox and O.L.- the third hillbilly on 'Hillbilly House', who showed him the ropes and got me bookings. In 1996 Anton got his first booking at the now legendary Equinox weekly (Webster Theater in Hartford, CT from 1996 to 97). This turned into his first residency which gave him the opportunity to open for Frankie Bones, Ani, Carlos Tera, and many, many others.
Anton's first radio show, 'Spatial Distortion', was first heard on WFCS on January 18, 1995 and was on the air until May of 2000. In July, '99 Anton started a second show, 'Vault Radio' (formerly Mobius Radio), on 89.3FM WRTC (Trinity College) as an offshoot of 'Spatial Distortion'. Anton is now one of a small number of people promoting underground music in Connecticut on a station that covers most of the state.
It has now been over 10 years since Anton began DJing and he has become one of the most versatile acts around. He has built up a musical repertoire of several thousand records that span from minimal house to techno to industrial and most styles in between.
In 1995 Anton transferred to Central Connecticut State University and joined the school's radio station, 107.7FM WFCS, as the student engineer shortly after that. As the engineer he had 24 hour access to turntables and an audience and used this opportunity to learn to mix records by taking advantage of dead air (which was and still is often at WFCS) to practice mixing. Through WFCS Anton met other people such as DJ Rockphonics- founder of Equinox and O.L.- the third hillbilly on 'Hillbilly House', who showed him the ropes and got me bookings. In 1996 Anton got his first booking at the now legendary Equinox weekly (Webster Theater in Hartford, CT from 1996 to 97). This turned into his first residency which gave him the opportunity to open for Frankie Bones, Ani, Carlos Tera, and many, many others.
Anton's first radio show, 'Spatial Distortion', was first heard on WFCS on January 18, 1995 and was on the air until May of 2000. In July, '99 Anton started a second show, 'Vault Radio' (formerly Mobius Radio), on 89.3FM WRTC (Trinity College) as an offshoot of 'Spatial Distortion'. Anton is now one of a small number of people promoting underground music in Connecticut on a station that covers most of the state.
It has now been over 10 years since Anton began DJing and he has become one of the most versatile acts around. He has built up a musical repertoire of several thousand records that span from minimal house to techno to industrial and most styles in between.
Greg Gow - The Vault - Mar 2008
Submitted By: lil_al_5
lil_al_5Genre: Techno
Date of Set: Mar 26th, 2008
Filesize: 98.49 MB
Total Downloads: 2
Biography of Greg Gow
Greg Gow's deep, groovy techno sound has evolved progressively since his days of playing house music in the early nineties. As a resident on York University's CHRY 105.5 FM station in Toronto, Greg played alongside much respected house Djs Nick Holder and Mitch Winthrop.
While Greg Gow had established himself as a high-profile Dj in the Toronto house music circuit, his sound was rapidly evolving. Influenced by the sounds emerging from Detroit and Germany, by 1996 Greg had traded his smooth house sound for the dark atmospheric grooves of techno music.
In 1997 the rave scene was exploding across Toronto, and it quickly became the ideal environment for Greg to display his hard rhythmic tones and technical brilliance. Yet it was a fresh up-start techno production company, called Phryl, where Greg's stature of one of the top techno Dj's in Canada was solidified.
Playing packed ware-houses alongside international superstars such as Cari Lekebusch, Adam Beyer, Joel Mull, Gaetano Parisio, Derrick May, Stacey Pullen and James Ruskin. His sets for Phryl parties were regarded as brilliant and often overshadowed the top-billed acts he was playing with. Greg was now a major player in the dance music scene in Toronto, and while the scene was shifting from the warehouses to the more intimate club settings, Greg remained a staple in an ever-changing culture. The now booming club scene became Greg Gow's new adopted home, moving the crowd in the same manner, and seeing him sharing bills alongside such dance music luminaries as Derrick Carter, Aril Brikha, Rolando and Richie Hawtin. While not one to stick to one format of the dance music culture. Greg has also become an accomplished and respected techno producer, releasing tracks on Seismic Detroit, Default, Zen, 2Wars and the legendary German techno label Tresor. Garnering spins from techno heavyweights DJ Rush, Umek, and Mateo Murphy. Greg is also the owner/operator of two international labels Restructured and Kombustion. Both labels feature his own music plus different leading artists from around the world, and have been spotted in the crates of many globe trotting dj's like Steve Rachmad, Umek and Ben Sims.
While Greg Gow had established himself as a high-profile Dj in the Toronto house music circuit, his sound was rapidly evolving. Influenced by the sounds emerging from Detroit and Germany, by 1996 Greg had traded his smooth house sound for the dark atmospheric grooves of techno music.
In 1997 the rave scene was exploding across Toronto, and it quickly became the ideal environment for Greg to display his hard rhythmic tones and technical brilliance. Yet it was a fresh up-start techno production company, called Phryl, where Greg's stature of one of the top techno Dj's in Canada was solidified.
Playing packed ware-houses alongside international superstars such as Cari Lekebusch, Adam Beyer, Joel Mull, Gaetano Parisio, Derrick May, Stacey Pullen and James Ruskin. His sets for Phryl parties were regarded as brilliant and often overshadowed the top-billed acts he was playing with. Greg was now a major player in the dance music scene in Toronto, and while the scene was shifting from the warehouses to the more intimate club settings, Greg remained a staple in an ever-changing culture. The now booming club scene became Greg Gow's new adopted home, moving the crowd in the same manner, and seeing him sharing bills alongside such dance music luminaries as Derrick Carter, Aril Brikha, Rolando and Richie Hawtin. While not one to stick to one format of the dance music culture. Greg has also become an accomplished and respected techno producer, releasing tracks on Seismic Detroit, Default, Zen, 2Wars and the legendary German techno label Tresor. Garnering spins from techno heavyweights DJ Rush, Umek, and Mateo Murphy. Greg is also the owner/operator of two international labels Restructured and Kombustion. Both labels feature his own music plus different leading artists from around the world, and have been spotted in the crates of many globe trotting dj's like Steve Rachmad, Umek and Ben Sims.
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