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Myth, Myone and Symbolyc One (S1) are Strange Fruit Project. These are 3 emcees that sing and flow. They have come from humble beginnings while all growing up in Waco, a small town in Texas where diversity is not the normal. S1, the music director of the group, grew up in the church playing instruments such as the piano, keyboards and the drums. His influences include Quincy Jones, Dr. Dre, Pete Rock, Jay Dilla and a host of other producers. S1 and Myth are cousins who have been rhyming and flowing since the days of Run DMC´s Raising Hell. Myth, short for Mythological, is the abstract one of the crew. His influences include Common, Ghostface Killah, Mos Def and Erkah Badu. He has an unusual rap style that instantly grabs fans attention. In 1996, cousins S1 and Myth formed a group called, Symbolyc Elementz. They received minimal praise as Symbolyc Elementz with the highlight for the group coming in May of 96´ while being chosen for the then credible publication The Source as part of their Unsigned Hype review.
Myone (pronounced my–own), considered the baby boy of the crew, is originally from Indiana. He was always someone hungry to get on the mic and his opportunity came when he met S1.S1 met Myone in 1998 through work (day job). At the time Myone was still in high school, but felt he had the gift of gab to battle and compete with the break time freestyle they always had. S1 would murder him on the freestyles but Myone continued to work hard, craft his art and get better. During the latter portion of 1999 and into 2000, S1 began to vibe and collab with Myth´s long term friend Lysoul and Myone began to hang around the studio. One day they all worked on a track together and S1 really liked how everyone vibed. So they recorded another track and one became 3 and 3 became 6 and before you knew it, S1 had put together an entire album and they collectively decided to call this project the Strange Fruit Project. The choice for this name stemmed from the 1939 song performed by Billie Holiday, which focused on black men being lynched throughout the south at a time when people of color had not rights in the United States. More black men were lynched in Waco in the early 1900´s than anywhere in the U.S. Therefore the music and style of SFP focuses on and targets everyday people´s struggles, trials and life experiences. There´s a message and a story in every verse, not meant to be preachy or hypocritical but challenging those who cannot see, to step outside their comfort zone and experience life musical through the eyes of Strange Fruit Project.
DJ Whiz T met SFP in 2001 and it was like a match mad in heaven. Whiz´s influences include Marley Marl, Grand Master Flash and Kid Capri. Whiz, originally from Louisiana, is considered to be the big kid of the crew, always joking, mixing records and playing video games. Once you hear his style of cuttin n´ scratchin´ on the 1´s and 2´s you understand how his style allows him to compete with the Z–Trip´s and Q–Bert´s of the DJ world.
http://www.om-records.com/artists/strange_fruit_project
http://www.myspace.com/strangefruitproject
2fjeff
Todd Terje (G.A.M.M, Bearfunk, Full Pupp, No)
2004 saw some of the freshest and most innovative records being produced by Norweigans such as Todd Terje, the man behind the edit of Micheal Jackson's 'Can't help It', Eurodans, and the Bearfunk release Bodies. Alongside his pals Lindstrom and Prins Thomas they've re invented the disco sound and has given dance music the freshest sounds its had in a long time.
Expect some mindblowing disco action with THE name of the moment. Being hailed by Rainer Truby and Gilles Peterson to NYC elite DJ's his first UK gig at the Rainbow in May will surely attract a huge crowd.
He describes his style as astroboogie, coconut-jungle-marimba-safari-disco with a touch of superküllers. He's released Double/Titanic-edits on Supreme Records, Bee Gees/Santana-edits on Ballroom, Mjøndalen Diskoklubb on Full Pupp, and soon Magic Salsa/Antena-edits will appear on Supreme and Tangoterje-edits on GAMM.
2fjeff
Sweeney was born March 13, 1981 in Raleigh, North Carolina. DJ and producer Tim Sweeney spent the early years of his life in North Carolina, Georgia, and Maryland. He enrolled at New York University in 1999 in order to study music technology and became a regular presence on WNYU via his Beats in Space program. He also held down internships with pioneering turntablist Steinski and the DFA label, in addition to becoming a skilled club DJ. After contributing saxophone to the DFA remix of Radio 4's 'Dance to the Underground' and mixing the DFA showcase disc that came with the April 2003 issue of Muzik, Sweeney's name became familiar to those outside New York. Along with DFA co-head Tim Goldsworthy, Sweeney put together the mixed disc that was issued as part of 2004's DFA Compilation #2. He contributed to Rammellzee's Bi-Conicals of the Rammellzee as well.

19. JOSE GONZALEZ - Killing For Love (beatless mix)
20. TRANS AM - First Words
21. BECK - Black Tambourine
22. MATT BIANCO - Matt's Mood
23. DR.BUZZARD - Didn't I Love You
24. DAVID BYRNE - Make Believe Mambo (Mark Kamins Acid Mambo mix)
25. CHARANGA 76 - No Nos Pararan
26. SHRINKWRAP - Illegal Entry (Chicken Lips mix)
27. WAR - Keep On Doin
28. SIMON BAKER - Plastik (Todd Terje Türkatech remix)
29. THE AUTOMATS - ...Pass Me By
30. CLOUD ONE - Don't Let This Rainbow...
31. 40 THIVES - Don't Turn it Off
32. CRUSADERS - Spiral
Tim Sweeney for the last track:
33. Yura Yura Teikoku - The Communication - Mesh-Key
