Est. April 2003
MPIII.com is an online community of people that find interest in electronic music. We strive to promote electronic music and the artists that create it. MPIII.com features downloads of live sets and mix sets posted by our members. These live sets and mix sets are posted in appreciation for the artists that created them. You will find biographies, images and links for all the artists featured on the site. This helps in promoting the people that create the music which we love. MPIII.com takes much pride in being a site rich with information and knowledge. Artists and DJs alike can use the site as a stepping stone to help them in their musical careers while we here at MPIII.com continue to provide thousands of downloads, videos, livesets and mixes to our devoted members.
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If you would like to join our community you can register by clicking here. If you have any other questions please check the FAQ section by clicking here.
If you are the owner of any of these live sets or mix sets and wish to have them removed, please contact us by clicking here.
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John Acquaviva - Renesanz Energy Flashback - Hristo Botev Hall - Sofia BG - Dec 2007
Submitted By: 
dico
dicoGenre: Videos
Date of Set: Dec 1st, 2007
Filesize: 260.17 MB
Total Downloads: 17
Biography of John Acquaviva
Having Dj'd around the world for ages, appearing at thousands of clubs and parties and playing for a cumulative audience in the millions, John Acquaviva is following up a solid 2005 with an even bigger and full-on 2006. John's ambitious touring and production schedule for 2006 will be anchored by the launch of ACQUAHOLIC a 13 week Summer residency at Privilage in Ibiza the world's biggest club.
2005 was Acquaviva's most prolific and successful production year to date. Starting off with Maddox on the Mantra label, Lord of the Bling achieved critical and club acclaim in Italy, and was listed on many year-end best of charts. Following Bling, Zombie produced with rising star Tobias Lutzenkirchen (on Blufin) was one of clubland's biggest tracks and ended the year as one of Beatport's top 5 selling download. Collaborations with Ramon Zenker of Hardfloor fame rounded out the year with the much-heralded A2Z EP.
Having attained a solid reputation for impeccable mixed CD compilations, John released two virtual compilations the past year. Electro-Deluxe Volume 1 (an exclusive digital-only compilation) reached #12 on the German iTunes Store Pop chart, and hit #1 on the Electro chart. Following suit in the spring of 2006 with Volume 2 of the series, this also hit number 1 on the electro charts. This summer, look for the hard goods with the first ACQUAHOLIC mix CD on the super hot and exciting Munich-based Great Stuff Label, to compliment the weekly Privilege, Ibiza residency.
John has built a career around discovering artists and presenting new music to the world, starting with his labels launched in the 90Ős with Richie Hawtin. He has now again re-launched Definitive Recordings (House for All) to showcase a new and emerging breed of talent from all over the globe. Available digitally and on limited edition vinyl, Definitive Recordings features music by Dj Fadul, Dj Spot, Maxi Madrid, Kike Serrano, Alfonso Padilla, Motes & Fontalvo, with more to come.
John has participated in almost every facet of the music industry over the years. He has played a key role in bridging ideas, technology and people to innovate and revolutionize the way music is sourced and played. John was instrumental and pioneered the role of combining traditional turntable DJing with the digital world by discovering and helping to launch FinalScratch at the turn of the decade. Seeing the full potential of this vision since the very early days, John also became involved with another group of visionaries to found and launch Beatport.com, which has changed the way DJs and music fans buy and discover the music they love.
2005 was Acquaviva's most prolific and successful production year to date. Starting off with Maddox on the Mantra label, Lord of the Bling achieved critical and club acclaim in Italy, and was listed on many year-end best of charts. Following Bling, Zombie produced with rising star Tobias Lutzenkirchen (on Blufin) was one of clubland's biggest tracks and ended the year as one of Beatport's top 5 selling download. Collaborations with Ramon Zenker of Hardfloor fame rounded out the year with the much-heralded A2Z EP.
Having attained a solid reputation for impeccable mixed CD compilations, John released two virtual compilations the past year. Electro-Deluxe Volume 1 (an exclusive digital-only compilation) reached #12 on the German iTunes Store Pop chart, and hit #1 on the Electro chart. Following suit in the spring of 2006 with Volume 2 of the series, this also hit number 1 on the electro charts. This summer, look for the hard goods with the first ACQUAHOLIC mix CD on the super hot and exciting Munich-based Great Stuff Label, to compliment the weekly Privilege, Ibiza residency.
John has built a career around discovering artists and presenting new music to the world, starting with his labels launched in the 90Ős with Richie Hawtin. He has now again re-launched Definitive Recordings (House for All) to showcase a new and emerging breed of talent from all over the globe. Available digitally and on limited edition vinyl, Definitive Recordings features music by Dj Fadul, Dj Spot, Maxi Madrid, Kike Serrano, Alfonso Padilla, Motes & Fontalvo, with more to come.
John has participated in almost every facet of the music industry over the years. He has played a key role in bridging ideas, technology and people to innovate and revolutionize the way music is sourced and played. John was instrumental and pioneered the role of combining traditional turntable DJing with the digital world by discovering and helping to launch FinalScratch at the turn of the decade. Seeing the full potential of this vision since the very early days, John also became involved with another group of visionaries to found and launch Beatport.com, which has changed the way DJs and music fans buy and discover the music they love.
Pet Duo - Renesanz Energy Flashback - Hristo Botev Hall - Sofia BG - Dec 2007
Submitted By: dico
dicoGenre: Videos
Date of Set: Dec 1st, 2007
Filesize: 260.17 MB
Total Downloads: 17
Biography of Pet Duo
DJs Ana and David a.k.a PET Duo are the brazilian couple specializing in furious-Techno sets on 4 decks and two mixers. Throughout 10 years playing together, they have already marked their presence in clubs, parties and festivals around the world. Events like, I Love Techno, Awakenings, Monegros, Nature One, Circuito Techno, Tim Fest.
They are always working for the music and searching inspirations in their diverse influences, like EBM, Rock, Funk, Hip Hop and Experimental. In 2002 they had the chance to know DJ Rush ( Chicago ), who invited them for a European tour with him and later, join the cast of his agency, KneŽDeep, Berlin .
In the last 4 years the Duo has also dedicated themselves in the field of musical production, with many releases in Brazil and Europe , for labels such as Inflicted, Arms, Nerven, KneŽDeep, Tekktribe, and others.
In the end of 2005 they released their first mix CD. This is also the first recorded compilation of techno on 4 decks and 2 mixers in the world, Palazzo vol.5, on the german label T: Classix.
In 2007, in celebration of 10 years playing together, they will launch their own Label and they will make a special tour, presenting for the first time ever their live p.a.
Long live to Techno!
They are always working for the music and searching inspirations in their diverse influences, like EBM, Rock, Funk, Hip Hop and Experimental. In 2002 they had the chance to know DJ Rush ( Chicago ), who invited them for a European tour with him and later, join the cast of his agency, KneŽDeep, Berlin .
In the last 4 years the Duo has also dedicated themselves in the field of musical production, with many releases in Brazil and Europe , for labels such as Inflicted, Arms, Nerven, KneŽDeep, Tekktribe, and others.
In the end of 2005 they released their first mix CD. This is also the first recorded compilation of techno on 4 decks and 2 mixers in the world, Palazzo vol.5, on the german label T: Classix.
In 2007, in celebration of 10 years playing together, they will launch their own Label and they will make a special tour, presenting for the first time ever their live p.a.
Long live to Techno!
Umek - Renesanz Energy Flashback - Hristo Botev Hall - Sofia BG - Dec 2007
Submitted By: dico
dicoGenre: Videos
Date of Set: Dec 1st, 2007
Filesize: 260.17 MB
Total Downloads: 17
Biography of Umek
Uros Umek grew up in the former Yugoslavia, but the restrictive regime didn't halt his passion for music. In his teens, he used to tune into an illegal London radio station via a satellite programme. *It played techno, rave, hardcore and breaks non-stop at the weekend and, we never left the house all weekend in case we missed something?*, he laughs.
When Yugoslavia imploded at the start of the 90s, Umek's native Slovenia was the first country to exit the federation. Although the tiny state had always been more liberal than other parts of Yugoslavia, Umek, who was beginning to DJ, found it hard to buy records in his home town of Ljubljana. This meant he had to drive eight hours to Germany to feed his growing vinyl addiction.
*There's a huge passion for music here and that was part of our ritual,* he explains. Umek was also the first DJ to put on events in Slovenia in 1992-93. Although his first few parties were underground affairs, word of mouth soon meant that thousands of people were attending his events and, as he says himself,*the police and authorities didn't know what to do, so they just left us alone.*
By this stage, Umek had honed his DJ skills and was spinning on three decks. He also started to book international guests and names like Billy Nasty and Surgeon were among the first guests to play at his parties.
The latter DJs' sound left a lasting impression on Umek and he admits that his earlier releases were heavily influenced by Birmingham techno. As Umek became more confident in the studio, his sound shifted to the rolling grooves of his Mumps releases for Billy Nasty's Tortured label. Informed by Umek's love of early house as much as passion for club techno, the first Mumps release thrust the Slovenian DJ into the international spotlight, but he says that his background was at first a hindrance: *It took me about twenty releases before I got to play a lot outside of Slovenia.*
In the meantime, Umek honed his art as a DJ and set up two labels, Consumer Recreation and, together with Valentino Kanzyani, Recycled Loops. While the later explored the duo's love of sped-up, disco infected crossover tracks, Consumer saw Umek reignite the flame under the synthetic techno sound.
By the late 90s, clubbers around the world were able to experience Umek's dynamic DJing. Spinning on three decks, his sets are a whirlwind of energy, as he works the seemingly disparate musical elements that also characterise his productions. Umek barely touches the pitch control and cues effortlessly as he works every effect possible on the mixer. From tribal tech-house to rolling party techno and taking in the disco influenced Recycled output, the drum heavy Voices Of Africa; trilogy and his firing minimalism, Umek's performances fuse his different production sounds, but still manage to entertain. This ability to appeal to all dance audiences is reflected in his non-stop DJ schedule and on his 2002 Tortured Chamber mix for Tortured - where Umek pieced together a whirlwind 27 track selection.
Tortured Chamber was followed by a mix for German party organisers Timewarp this year, which saw the DJ opt for a tougher, more full on approach. Unlike the techno purists who have kept the music safe from outside interference, Umek clearly wants his music heard by as many people as possible and has even hinted that, in the future, he may release an electronic pop album.
Indeed, the crossover support for Umek's work on Recycled Loops, Bugged Out! and End Recordings and the Mumps and Voices Of Africa series as well as for the dubby, tribal tech-house house sound of his Earrisistible label which he launched in 2000 has been remarkable, with mainstream names like Pete Tong charting and supporting his work.
That's not to suggest that he has deserted his underground roots: apart from the Slovenian producer's Consumer Recreation releases, his Zeta Reticula series for Electrix which is at number four so far show Umek is also adept at making underground electro and Maurizio / Basic Channel inspired dub tracks. *I want to be an all round producer, I need new challenges. I've got to a stage where my tastes have changed: I love electro, tech-house and percussive house, so what's the point in just putting out banging techno* he asks.
2003 also saw Umek release his debut album, 'Neuro' and make a break with the dance floor. Inspired by abstract artists like Autechre as well as industrial artists like Nitzer Ebb, the album was a brave move for Umek. It might not have appealed to fans of his club techno, but it satiated his need for making new, innovative music.
Umek has also been prolific as a remixer in the last few years, and has lent seminal synth pop act Depeche Mode his magic touch. He also worked with fellow Slovenian act Laibach on their recent comeback, providing remixes for the art terrorists' comeback single, 'Tanz Mit Laibach'.
*I work seven days a week on music, and the reason I produce so much is that I love what I do,* Umek maintains.
Perhaps the most stunning indictment of Umek's crossover appeal was his comeback gig in Slovenia in the autumn of 2001 after an 18 month break, where he played to five thousand adoring fans, who screamed his nickname
http://www.myspace.com/djumek
http://www.reconwarriors.com
When Yugoslavia imploded at the start of the 90s, Umek's native Slovenia was the first country to exit the federation. Although the tiny state had always been more liberal than other parts of Yugoslavia, Umek, who was beginning to DJ, found it hard to buy records in his home town of Ljubljana. This meant he had to drive eight hours to Germany to feed his growing vinyl addiction.
*There's a huge passion for music here and that was part of our ritual,* he explains. Umek was also the first DJ to put on events in Slovenia in 1992-93. Although his first few parties were underground affairs, word of mouth soon meant that thousands of people were attending his events and, as he says himself,*the police and authorities didn't know what to do, so they just left us alone.*
By this stage, Umek had honed his DJ skills and was spinning on three decks. He also started to book international guests and names like Billy Nasty and Surgeon were among the first guests to play at his parties.
The latter DJs' sound left a lasting impression on Umek and he admits that his earlier releases were heavily influenced by Birmingham techno. As Umek became more confident in the studio, his sound shifted to the rolling grooves of his Mumps releases for Billy Nasty's Tortured label. Informed by Umek's love of early house as much as passion for club techno, the first Mumps release thrust the Slovenian DJ into the international spotlight, but he says that his background was at first a hindrance: *It took me about twenty releases before I got to play a lot outside of Slovenia.*
In the meantime, Umek honed his art as a DJ and set up two labels, Consumer Recreation and, together with Valentino Kanzyani, Recycled Loops. While the later explored the duo's love of sped-up, disco infected crossover tracks, Consumer saw Umek reignite the flame under the synthetic techno sound.
By the late 90s, clubbers around the world were able to experience Umek's dynamic DJing. Spinning on three decks, his sets are a whirlwind of energy, as he works the seemingly disparate musical elements that also characterise his productions. Umek barely touches the pitch control and cues effortlessly as he works every effect possible on the mixer. From tribal tech-house to rolling party techno and taking in the disco influenced Recycled output, the drum heavy Voices Of Africa; trilogy and his firing minimalism, Umek's performances fuse his different production sounds, but still manage to entertain. This ability to appeal to all dance audiences is reflected in his non-stop DJ schedule and on his 2002 Tortured Chamber mix for Tortured - where Umek pieced together a whirlwind 27 track selection.
Tortured Chamber was followed by a mix for German party organisers Timewarp this year, which saw the DJ opt for a tougher, more full on approach. Unlike the techno purists who have kept the music safe from outside interference, Umek clearly wants his music heard by as many people as possible and has even hinted that, in the future, he may release an electronic pop album.
Indeed, the crossover support for Umek's work on Recycled Loops, Bugged Out! and End Recordings and the Mumps and Voices Of Africa series as well as for the dubby, tribal tech-house house sound of his Earrisistible label which he launched in 2000 has been remarkable, with mainstream names like Pete Tong charting and supporting his work.
That's not to suggest that he has deserted his underground roots: apart from the Slovenian producer's Consumer Recreation releases, his Zeta Reticula series for Electrix which is at number four so far show Umek is also adept at making underground electro and Maurizio / Basic Channel inspired dub tracks. *I want to be an all round producer, I need new challenges. I've got to a stage where my tastes have changed: I love electro, tech-house and percussive house, so what's the point in just putting out banging techno* he asks.
2003 also saw Umek release his debut album, 'Neuro' and make a break with the dance floor. Inspired by abstract artists like Autechre as well as industrial artists like Nitzer Ebb, the album was a brave move for Umek. It might not have appealed to fans of his club techno, but it satiated his need for making new, innovative music.
Umek has also been prolific as a remixer in the last few years, and has lent seminal synth pop act Depeche Mode his magic touch. He also worked with fellow Slovenian act Laibach on their recent comeback, providing remixes for the art terrorists' comeback single, 'Tanz Mit Laibach'.
*I work seven days a week on music, and the reason I produce so much is that I love what I do,* Umek maintains.
Perhaps the most stunning indictment of Umek's crossover appeal was his comeback gig in Slovenia in the autumn of 2001 after an 18 month break, where he played to five thousand adoring fans, who screamed his nickname
http://www.myspace.com/djumek
http://www.reconwarriors.com
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