Est. April 2003
MPIII.com is an online community of people that find interest in electronic music. We strive to promote electronic music and the artists that create it. MPIII.com features downloads of live sets and mix sets posted by our members. These live sets and mix sets are posted in appreciation for the artists that created them. You will find biographies, images and links for all the artists featured on the site. This helps in promoting the people that create the music which we love. MPIII.com takes much pride in being a site rich with information and knowledge. Artists and DJs alike can use the site as a stepping stone to help them in their musical careers while we here at MPIII.com continue to provide thousands of downloads, videos, livesets and mixes to our devoted members.
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If you would like to join our community you can register by clicking here. If you have any other questions please check the FAQ section by clicking here.
If you are the owner of any of these live sets or mix sets and wish to have them removed, please contact us by clicking here.
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Salah - Shindig - Trilogy - Dubai AE - Dec 2007
Submitted By: 
trocknroll
trocknrollGenre: House
Date of Set: Dec 27th, 2007
Filesize: 170.68 MB
Total Downloads: 1
Biography of Salah
An experience of any of Salah’s magical sets is one that remains with your soul for days, weeks and months. It’s from within his soul that this talented and well exposed DJ reaches out, with a style of music that spans minimal-deep-house-groovy- techno-electro – a truly diverse style that never fails to infect you with a dirty groove.
Born and raised in Bahrain, Salah’s ability to get a serious party going puts him up with the very best in the business. These are the skills that he developed from a very young age, spinning at small venue gigs and gradually building a repertoire that crosses continents. Close to home, he was a part of an exciting line-up including Peace Division and Lexicon Avenue at a Shindig party in Dubai. His most recent adventures took him to Amsterdam, where he featured at TWSTD and played a live set on Radio Activity’s (www.radio-activity.nl) Danzolectro segment. Salah has featured in several events in the Netherlands, including the Queen’s Day Playground parties (2004 + 2005) and Club More in Amsterdam, in addition to Member’s Only in Utrecht in 2004.
Currently, in the local Bahrain scene, Salah can be found teaming up with international DJs at offbeat garden or warehouse events (SUMO Nights). He has also been getting involved with live experimental sets with Fawaz, called tab.lab, and is a regular at Bahrain’s underground location, Likwid.
Salah really does stand out as a serious performer, and can get a room full of people going for hours. Just be warned though: once you’ve heard one of his sets, you’ll definitely want to come back for more.
bar/club residencies
1999 – 2001 weekends @ likwid
2003 – bi monthly @ la terrasse
2004 – weekly – kulture @ likwid
2004 – 2005 – 2006 monthly – techfui @ likwid
2006 – monthly – body language @ club 7
one-off
2000 – grind @ marina beach
2004 – redbull playground – f1 weekend [with lexicon avenue]
2005 – arena – f1 weekend [with omid 16b]
2006 – we luv… – f1 weekend [with lady cc]
2006 – we luv… [with mazi]
international
weekend @ west pascific – amsterdam
weekend @ news cafe – toronto
risk more @ club more – amsterdam
m.o. @ members only – utrecht
weekend @ las palmas – rotterdam
playground @ 020 – amsterdam
queens day dam rak street party – amsterdam
playground @ twisted – amsterdam
shindig @ trilogy – dubai
global connection feat. josh wink + salah @ ibo – dubai
vreemd @ sugar factory – amsterdam
electronation radio – putsh special @ kink fm – helversten
Born and raised in Bahrain, Salah’s ability to get a serious party going puts him up with the very best in the business. These are the skills that he developed from a very young age, spinning at small venue gigs and gradually building a repertoire that crosses continents. Close to home, he was a part of an exciting line-up including Peace Division and Lexicon Avenue at a Shindig party in Dubai. His most recent adventures took him to Amsterdam, where he featured at TWSTD and played a live set on Radio Activity’s (www.radio-activity.nl) Danzolectro segment. Salah has featured in several events in the Netherlands, including the Queen’s Day Playground parties (2004 + 2005) and Club More in Amsterdam, in addition to Member’s Only in Utrecht in 2004.
Currently, in the local Bahrain scene, Salah can be found teaming up with international DJs at offbeat garden or warehouse events (SUMO Nights). He has also been getting involved with live experimental sets with Fawaz, called tab.lab, and is a regular at Bahrain’s underground location, Likwid.
Salah really does stand out as a serious performer, and can get a room full of people going for hours. Just be warned though: once you’ve heard one of his sets, you’ll definitely want to come back for more.
bar/club residencies
1999 – 2001 weekends @ likwid
2003 – bi monthly @ la terrasse
2004 – weekly – kulture @ likwid
2004 – 2005 – 2006 monthly – techfui @ likwid
2006 – monthly – body language @ club 7
one-off
2000 – grind @ marina beach
2004 – redbull playground – f1 weekend [with lexicon avenue]
2005 – arena – f1 weekend [with omid 16b]
2006 – we luv… – f1 weekend [with lady cc]
2006 – we luv… [with mazi]
international
weekend @ west pascific – amsterdam
weekend @ news cafe – toronto
risk more @ club more – amsterdam
m.o. @ members only – utrecht
weekend @ las palmas – rotterdam
playground @ 020 – amsterdam
queens day dam rak street party – amsterdam
playground @ twisted – amsterdam
shindig @ trilogy – dubai
global connection feat. josh wink + salah @ ibo – dubai
vreemd @ sugar factory – amsterdam
electronation radio – putsh special @ kink fm – helversten
Laurent Garnier - Shindig - Trilogy - Dubai AE - Dec 2007
Submitted By: trocknroll
trocknrollGenre: House
Date of Set: Dec 27th, 2007
Filesize: 170.68 MB
Total Downloads: 1
Biography of Laurent Garnier
A short warning signals the opening of Laurent Garnier’s long-awaited new album. Those who were expecting ‘Unreasonable Behaviour’ to be yet another techno album will be in for a surprise. Following on from the direction he began to explore with his album ‘30’ in 1996, this latest album, is very much a more personal exploration of electronic music and finds equal meaning both on and off the dancefloor.
Since his debut at Manchester’s Hacienda in 1987, the beginning of the Acid House explosion, Laurent Garnier has played a key role in the development of the electronic music scene. Over the last ten years he has built up his international reputation by playing at all the major clubs and festivals worldwide. During this time he has been voted best international DJ by the music press and has built up a very special relationship with his public. Laurent Garnier is very different from your average DJ. You only have to witness the queues of enthousiasts in front of the Rex Club in Paris or L’Anfer in Dijon where he held long-term residencies.
Laurent Garnier is respected by both the godfathers of techno in Detroit, with whom he has built close links, as well as by the younger generation of producers and DJs to whom he has given a taste for electronic music through his DJ sets and radio shows.. Aside from his successful DJ career, Laurent Garnier has always produced his own music. In 1991, he released a series of Eps on the Fnac Dance Division label. This work continued with the creation of his own record label F Communications in 1994, with Eric Morand. The release of tracks such as ‘Acid Eiffel’ and ‘Wake Up’ on FNAC Dance Division served as a springboard for a new French electronic scene. Rarely before had French music been so easy to export. In effect, Laurent Garnier became the first ambassador for French house and techno abroad. In October 1994, he released his first album ‘Shot in the Dark’ and subsequently became one of the first French artists to be invited to perform on the prestigious ‘Peel Sessions’, broadcast on BBC Radio 1.
The release of his second album ‘30’ was another turning point in Laurent Garnier’s career. From here on, Garnier decided to slow down his hectic DJ schedule in order to concentrate on producing more of his own music. However, this did not prevent him Djing on the main stage at the first Techno Parade in Paris in September 1998, in front of an audience of 100,000 people. That same year he won the ‘Victoire De La Musique’ award for his album ‘30’ ;a great honour as this was the first year that there was a category for Dance music. During the award ceremony at the Olympia in Paris, he performed ‘Acid Eiffel’ live, accompanied by violin and percussion. As a result of this performance being broadcast live on French national prime-time TV techno, which had previously been misunderstood finally began to gain recognition from a wider French public.
He fine-tuned his live show whilst performing at several of the major European festivals (Sonar, Borealis, T in The Park, Creamfields…) before returning that same year to the stage of the Olympia accompanied by 14 musicians and dancers. The experience of this performance and the full European tour that followed , including the Montreux Jazz Festival, proved to be a very important influence on his album ‘Unreasonable Behaviour’. With the release of ‘Unreasonable Behaviour’, Laurent Garnier has produced his most accomplished and personal album to date. This surprising record does not shy away from exploring more diverse and tormented sounds than we have previously been accustomed to in his work. The jazzy echoes of ‘City Sphere’ and ‘The Man With The Red Face’, are undoubtedly a direct link with Garnier’s live experience, the saxophonist playing on these tracks, Philippe Nadot, accompanied Laurent Garnier on his tour. The first single released from the album, ‘The Sound Of Big Baboo’, with a video by Vito Rocco (who previously directed Jimi Tenor’s ‘Take Me baby’), and also ‘Dangerous Drive’ are exercises in driving techno in a similar vein to ‘Crispy Bacon’, and are sure not to disappoint the dancefloor. Other tracks such as ‘Communication From The Lab’ and ‘Downfall’are as haunting as the soundtrack to a terrifying thriller, as with the surprising ‘Greed’. And of course we can discover in tracks such as ‘Last Tribute To The 20th Century’ and ‘Cycles D’Opposition’, Garnier’s love for the American productions that have been an inspiration to him for so long.
With this third ambitious album, Laurent Garnier proves that he is not only a great DJ but more importantly a musician apart.
Since his debut at Manchester’s Hacienda in 1987, the beginning of the Acid House explosion, Laurent Garnier has played a key role in the development of the electronic music scene. Over the last ten years he has built up his international reputation by playing at all the major clubs and festivals worldwide. During this time he has been voted best international DJ by the music press and has built up a very special relationship with his public. Laurent Garnier is very different from your average DJ. You only have to witness the queues of enthousiasts in front of the Rex Club in Paris or L’Anfer in Dijon where he held long-term residencies.
Laurent Garnier is respected by both the godfathers of techno in Detroit, with whom he has built close links, as well as by the younger generation of producers and DJs to whom he has given a taste for electronic music through his DJ sets and radio shows.. Aside from his successful DJ career, Laurent Garnier has always produced his own music. In 1991, he released a series of Eps on the Fnac Dance Division label. This work continued with the creation of his own record label F Communications in 1994, with Eric Morand. The release of tracks such as ‘Acid Eiffel’ and ‘Wake Up’ on FNAC Dance Division served as a springboard for a new French electronic scene. Rarely before had French music been so easy to export. In effect, Laurent Garnier became the first ambassador for French house and techno abroad. In October 1994, he released his first album ‘Shot in the Dark’ and subsequently became one of the first French artists to be invited to perform on the prestigious ‘Peel Sessions’, broadcast on BBC Radio 1.
The release of his second album ‘30’ was another turning point in Laurent Garnier’s career. From here on, Garnier decided to slow down his hectic DJ schedule in order to concentrate on producing more of his own music. However, this did not prevent him Djing on the main stage at the first Techno Parade in Paris in September 1998, in front of an audience of 100,000 people. That same year he won the ‘Victoire De La Musique’ award for his album ‘30’ ;a great honour as this was the first year that there was a category for Dance music. During the award ceremony at the Olympia in Paris, he performed ‘Acid Eiffel’ live, accompanied by violin and percussion. As a result of this performance being broadcast live on French national prime-time TV techno, which had previously been misunderstood finally began to gain recognition from a wider French public.
He fine-tuned his live show whilst performing at several of the major European festivals (Sonar, Borealis, T in The Park, Creamfields…) before returning that same year to the stage of the Olympia accompanied by 14 musicians and dancers. The experience of this performance and the full European tour that followed , including the Montreux Jazz Festival, proved to be a very important influence on his album ‘Unreasonable Behaviour’. With the release of ‘Unreasonable Behaviour’, Laurent Garnier has produced his most accomplished and personal album to date. This surprising record does not shy away from exploring more diverse and tormented sounds than we have previously been accustomed to in his work. The jazzy echoes of ‘City Sphere’ and ‘The Man With The Red Face’, are undoubtedly a direct link with Garnier’s live experience, the saxophonist playing on these tracks, Philippe Nadot, accompanied Laurent Garnier on his tour. The first single released from the album, ‘The Sound Of Big Baboo’, with a video by Vito Rocco (who previously directed Jimi Tenor’s ‘Take Me baby’), and also ‘Dangerous Drive’ are exercises in driving techno in a similar vein to ‘Crispy Bacon’, and are sure not to disappoint the dancefloor. Other tracks such as ‘Communication From The Lab’ and ‘Downfall’are as haunting as the soundtrack to a terrifying thriller, as with the surprising ‘Greed’. And of course we can discover in tracks such as ‘Last Tribute To The 20th Century’ and ‘Cycles D’Opposition’, Garnier’s love for the American productions that have been an inspiration to him for so long.
With this third ambitious album, Laurent Garnier proves that he is not only a great DJ but more importantly a musician apart.
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