Est. April 2003
MPIII.com is an online community of people that find interest in electronic music. We strive to promote electronic music and the artists that create it. MPIII.com features downloads of live sets and mix sets posted by our members. These live sets and mix sets are posted in appreciation for the artists that created them. You will find biographies, images and links for all the artists featured on the site. This helps in promoting the people that create the music which we love. MPIII.com takes much pride in being a site rich with information and knowledge. Artists and DJs alike can use the site as a stepping stone to help them in their musical careers while we here at MPIII.com continue to provide thousands of downloads, videos, livesets and mixes to our devoted members.
If you would like to join our community you can register by clicking here. If you have any other questions please check the FAQ section by clicking here.
If you are the owner of any of these live sets or mix sets and wish to have them removed, please contact us by clicking here.
If you would like to join our community you can register by clicking here. If you have any other questions please check the FAQ section by clicking here.
If you are the owner of any of these live sets or mix sets and wish to have them removed, please contact us by clicking here.
Overall Rating: NA
Audio Quality: NA
0
0
Not available
20 other sets by Q-Burns Abstract Message
Members that downloaded this also downloaded
Q-Burns Abstract Message - DJs Anonymous Mix - Oct 2006
Submitted By: assembly1
Genre: House
Date of Set: Oct 17th, 2006
Filesize: 96.36 MB
Total Downloads: 1
Biography of Q-Burns Abstract Message
In the realm of dance music, there are few producers that thrive on blurring the boundary between eclectic experimenter and populist ass-shaker as much as Q-Burns Abstract Message. Equally comfortable covering Krautrock legends Faust or dropping his favorite chunky house grooves into the mix, Q-BAM—known to his parents as Michael Donaldson—is indeed the rare auteur. Whether globe-trotting as a DJ, co-running the Eighth Dimension Records label, remixing artists like Rabbit in the Moon, Fila Brazillia and Lawrence Welk, or recording his own original productions, Donaldson is all about the coaxing the maximum soul out of the machine.
Based in Orlando since the early-’90s, the former record shop owner and college radio DJ has spent the past two decades developing a sound that is obsessively devoted to the funk. His animated, vodka-soaked DJ sets have won audiences for the well-traveled Donaldson from San Francisco to (literally) Siberia, and landed him primo opening slots for GusGus, Chemical Brothers and Meat Beat Manifesto.
However, it’s his playful rhythms, surprising melodic themes and not-so-surprising Eno-esque textures that demand attention. An accomplished indie musician prior to releasing his first single as Q-BAM—the breakbeat noir of “141 Revenge Street” in 1995—Donaldson is first and foremost a songwriter, albeit one that is just as enamored with the sheer power of the groove.
With a trusty Roland Juno 106 synth at his side, Q-BAM released three full-length albums via the respected electronic label Astralwerks, including Invisible Airline which featured several collaborations with vocalist Lisa Shaw. He has recorded numerous singles for house-centric imprints such as Brique Rouge, Slip N’ Slide, NRK and of course, Eighth Dimension. Q-BAM was also one of the talented producers on alt-country icon Jim White’s 2001 Luaka Bop release No Such Place. The album cast White’s stark vocals in a wasteland of dusty beats and ghostly slide guitars, with Donaldson’s tracks providing some of its most intoxicating moments.
Though his “endless summer” schedule—more than 100 DJ dates annually—and ongoing production projects would seemingly exhaust a mere mortal, Q-BAM rather enjoys this 120-bpm soundtrack. Accordingly, Donaldson and fellow Orlando producer/DJ Atnarko recently launched the vinyl-only label EIGHT-TRACKS, dedicated to releasing “strange sounds that you can dance to,” says Q-BAM himself. Additionally, house imprint Agave Records has tapped Donaldson to throw down a mix CD titled Agave Nectar Vol. 1, now available in fine records shops worldwide..
As if there wasn’t already enough deliciously warm and gooey queso already piled high on his plate, Q-BAM is also hard at work recording his fourth album, due out in 2008.
Based in Orlando since the early-’90s, the former record shop owner and college radio DJ has spent the past two decades developing a sound that is obsessively devoted to the funk. His animated, vodka-soaked DJ sets have won audiences for the well-traveled Donaldson from San Francisco to (literally) Siberia, and landed him primo opening slots for GusGus, Chemical Brothers and Meat Beat Manifesto.
However, it’s his playful rhythms, surprising melodic themes and not-so-surprising Eno-esque textures that demand attention. An accomplished indie musician prior to releasing his first single as Q-BAM—the breakbeat noir of “141 Revenge Street” in 1995—Donaldson is first and foremost a songwriter, albeit one that is just as enamored with the sheer power of the groove.
With a trusty Roland Juno 106 synth at his side, Q-BAM released three full-length albums via the respected electronic label Astralwerks, including Invisible Airline which featured several collaborations with vocalist Lisa Shaw. He has recorded numerous singles for house-centric imprints such as Brique Rouge, Slip N’ Slide, NRK and of course, Eighth Dimension. Q-BAM was also one of the talented producers on alt-country icon Jim White’s 2001 Luaka Bop release No Such Place. The album cast White’s stark vocals in a wasteland of dusty beats and ghostly slide guitars, with Donaldson’s tracks providing some of its most intoxicating moments.
Though his “endless summer” schedule—more than 100 DJ dates annually—and ongoing production projects would seemingly exhaust a mere mortal, Q-BAM rather enjoys this 120-bpm soundtrack. Accordingly, Donaldson and fellow Orlando producer/DJ Atnarko recently launched the vinyl-only label EIGHT-TRACKS, dedicated to releasing “strange sounds that you can dance to,” says Q-BAM himself. Additionally, house imprint Agave Records has tapped Donaldson to throw down a mix CD titled Agave Nectar Vol. 1, now available in fine records shops worldwide..
As if there wasn’t already enough deliciously warm and gooey queso already piled high on his plate, Q-BAM is also hard at work recording his fourth album, due out in 2008.
Not available
Not available