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By day, Anton works as an Engineer in the aerospace industry for a company that produces jet aircraft engines. He graduated from Central Connecticut State University in May, 2000 with a B.S. in Mechanical Engineering Technology and is currently pursuing a Masters in Mechanical Engineering at the University of Hartford. In his free time, Anton is a DJ and aspiring techno music producer.
In 1993 Anton Banks was a student at the University of Rochester and was into hip-hop and euro-dance pop music. He especially liked the beats and rhythms found in this music but became increasingly disinterested in the lyrics. Looking for something different, Anton borrowed a compilation CD from a friend. That CD was the seminal 'Moove Your Body' release on Tribal America Artists. Soon he was obsessed with all forms of underground dance music and broke all ties to the pop music scene. Anton found himself buying all the rave and house music he could find at a store called 'The Record Archive'. Also at about the same time Anton started going to a club in Rochester called 'Heaven' which was a stripped down version of New York City's infamous super club , the Limelight, as it was also built out of an old church. He only knew that he liked the music but it would be almost a year and a half later before Anton realized that he had been listening to early techno in it's heyday in the form of tracks like The Goodmen's 'Give it up', Jaydee's 'Plastic Dreams' and an assortment of music from early Detroit and Plus 8. The turning point came in 1994 when Anton first heard 'Psychotrance', a mixed CD by Mr. C on Moonshine Music. This CD and his experiences at 'Heaven' gave him a desire to learn to spin records.
In 1995 Anton transferred to Central Connecticut State University and joined the school's radio station, 107.7FM WFCS, as the student engineer shortly after that. As the engineer he had 24 hour access to turntables and an audience and used this opportunity to learn to mix records by taking advantage of dead air (which was and still is often at WFCS) to practice mixing. Through WFCS Anton met other people such as DJ Rockphonics- founder of Equinox and O.L.- the third hillbilly on 'Hillbilly House', who showed him the ropes and got me bookings. In 1996 Anton got his first booking at the now legendary Equinox weekly (Webster Theater in Hartford, CT from 1996 to 97). This turned into his first residency which gave him the opportunity to open for many touring DJs from New York City, Boston, and beyond.
Anton's first radio show, 'Spatial Distortion', was first heard on WFCS on January 18, 1995 and was on the air until May of 2000. In July, '99 Anton started a second show, 'Vault Radio', that now airs on 88.1FM WESU (Wesleyan University), as an offshoot of 'Spatial Distortion'. Anton is now one of a small number of people promoting non-commercial electronic music in Connecticut on a station that covers most of the state.
It has now been over 10 years since Anton began DJing and he has become one of the most versatile acts around. He has built up a musical repertoire of several thousand records that span from minimal house to techno to industrial and most styles in between.
antonbanks
It all started in the summer of 89 when Mark went on holiday to Tenerife and in the clubs they were spinning the now legendary acid house music. On his return to England, Broom went on a search for this music and found it. Then he bought some turntables and the birth of his musical career was born. After a few years of playing at people's parties, Mark decided to try his hand at making music.
Through a friend he was introduced to Ed Handley and Andy Turner from Black Dog Productions [who are both in Plaid now] and together they created Broom's first musical ideas. These ideas went on to be released on general production records. The studio used for these first recordings was called UXB Studios and was run by Dave Hill. After many visits to UXB, Dave asked Mark if he would be into making some tracks together and from that day their musical and later business partnership was born.
In 1994, they started Pure Plastic Recordings which has played host to many of Mark's musical productions ranging from the landmark 'Angie is a Shoplifter' LP through to the recent 'Rave Days' EP. Mark has also recorded on many of the world's best labels including A13, Ferox, Ifach, Speaker Attack, Mosiac, Dark House Music and New Electronica. As a DJ, Mark has spun at some of the world's best clubs ranging from Belgium's Fuse Club to Spain's La Real. As a remixer, Mark has had the pleasure to mix artists like Eddie Fowlkes, Ken Ishi, Ben Sims, Samuel Sessions and The Advent to name a few.
http://www.myspace.com/markbroom

