Est. April 2003
MPIII.com is an online community of people that find interest in electronic music. We strive to promote electronic music and the artists that create it. MPIII.com features downloads of live sets and mix sets posted by our members. These live sets and mix sets are posted in appreciation for the artists that created them. You will find biographies, images and links for all the artists featured on the site. This helps in promoting the people that create the music which we love. MPIII.com takes much pride in being a site rich with information and knowledge. Artists and DJs alike can use the site as a stepping stone to help them in their musical careers while we here at MPIII.com continue to provide thousands of downloads, videos, livesets and mixes to our devoted members.
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If you would like to join our community you can register by clicking here. If you have any other questions please check the FAQ section by clicking here.
If you are the owner of any of these live sets or mix sets and wish to have them removed, please contact us by clicking here.
Overall Rating: 9.0
Audio Quality: 9.0
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Mampi Swift - Tranzmission - Apr 2007
Submitted By: 
drewby39
drewby39Genre: Jungle / Drum and Bass
Date of Set: Apr 7th, 2007
Filesize: 108.82 MB
Total Downloads: 4
Biography of Mampi Swift
The prolific 'Mampi Swift' aka Phil Anim, formally known as Swift. The addition of 'Mampi' to his name not being coincidental; the term meaning 'big, strong and quick' depicts everything about him from his pure pyhsique to his amazing 'double-dropping' djing skills. We are going to see a lot happening with Mampi Swift and Charge Recordings this year. He has spent the last 12 months working on his new album - to be released end of April - and if this album doesn't set a precedent - nothing will!!! Working heavily with Blame and 720 Recordings - this duo will certainly be suprising a lot of people over the next few months. With the current EP 'Rainman' flying off the shelves and all his classic tunes regularly being played out around the world there is no stopping this guy. Being careful to not over expose his new tunes - they are rarely released prior to promo's - this guy is a very clever business man. He relentlessly still plays with dubplates/vinyl and refuses to use CD's when playing gigs - he is wisely attempting to keep the record industry alive for future generations.
It was in 1990 that Mampi Swift starting DJing and found himself behind the counter of the Lucky Spin record store, now defunct. With access to the studio next door and in-house engineer Pete Parsons (AKA Voyager) at the controls, Swift jumped at the valuable opportunity to learn new skills. 1992 saw the start of an 8 year DJ residency on Kool FM London, whilst at the same time he was regularly at events such as One Nation and TruePlayaz at 'The End' (a trendy London nightclub). He released tunes on other labels such as True Playaz, Frontline, Suburban Base, SOUR & K Power, before setting up his own label Charge Recordings.
Mampi Swift launched Charge Recordings with the release of 'Twisted' followed by 'Feel Good' in 1997. Both tracks were massive hits in the UK and rapidly spread worldwide. Swift enjoyed the success of his first two tracks but it was his third, 'The One' which dropped in the winter of '97 that earned him recognized fame throughout the world. You could not be in the scene and not know of Mampi Swift after that. To this day it is still being sampled and played by many DJs.
Despite his success Mampi Swift has not lost touch with the music. Swift describes his style as 'plain rolling' the catchy beats being a key element to his overall sound, it's the unique distorted basslines that people notice. Adjectives like 'nasty', 'dirty', 'raw', 'twisted' and even 'gut rumbling' have been used to describe his tracks in reviews (Knowledge, Atmosphere Magazine etc). When Swift makes music he finds it hard to get a vibe from just a straight 808 bass-line. So he gets noises, fucks with them and turns them into big bass-lines.
Another one of his trademarks comes at the mixing down stage. He masters his tracks so there's not heavy bass that way the engineer can get it sounding very loud therefore bringing everything out. His productions are dark with plenty energy and power to rock a dance floor but this isn't by accident His music is balanced and natural and consistent.
2001 saw the release of his EP, 'Resurrection', featuring the dance floor destroying anthem 'Trippin'. The four tunes made such an impact during their dub-plate life it left clubbers mouths watering for the release.
http://www.myspace.com/mampiswift
It was in 1990 that Mampi Swift starting DJing and found himself behind the counter of the Lucky Spin record store, now defunct. With access to the studio next door and in-house engineer Pete Parsons (AKA Voyager) at the controls, Swift jumped at the valuable opportunity to learn new skills. 1992 saw the start of an 8 year DJ residency on Kool FM London, whilst at the same time he was regularly at events such as One Nation and TruePlayaz at 'The End' (a trendy London nightclub). He released tunes on other labels such as True Playaz, Frontline, Suburban Base, SOUR & K Power, before setting up his own label Charge Recordings.
Mampi Swift launched Charge Recordings with the release of 'Twisted' followed by 'Feel Good' in 1997. Both tracks were massive hits in the UK and rapidly spread worldwide. Swift enjoyed the success of his first two tracks but it was his third, 'The One' which dropped in the winter of '97 that earned him recognized fame throughout the world. You could not be in the scene and not know of Mampi Swift after that. To this day it is still being sampled and played by many DJs.
Despite his success Mampi Swift has not lost touch with the music. Swift describes his style as 'plain rolling' the catchy beats being a key element to his overall sound, it's the unique distorted basslines that people notice. Adjectives like 'nasty', 'dirty', 'raw', 'twisted' and even 'gut rumbling' have been used to describe his tracks in reviews (Knowledge, Atmosphere Magazine etc). When Swift makes music he finds it hard to get a vibe from just a straight 808 bass-line. So he gets noises, fucks with them and turns them into big bass-lines.
Another one of his trademarks comes at the mixing down stage. He masters his tracks so there's not heavy bass that way the engineer can get it sounding very loud therefore bringing everything out. His productions are dark with plenty energy and power to rock a dance floor but this isn't by accident His music is balanced and natural and consistent.
2001 saw the release of his EP, 'Resurrection', featuring the dance floor destroying anthem 'Trippin'. The four tunes made such an impact during their dub-plate life it left clubbers mouths watering for the release.
http://www.myspace.com/mampiswift
Nicky Blackmarket - Tranzmission - Apr 2007
Submitted By: drewby39
drewby39Genre: Jungle / Drum and Bass
Date of Set: Apr 7th, 2007
Filesize: 108.82 MB
Total Downloads: 4
Biography of Nicky Blackmarket
Nicky Blackmarket is one of the original pioneers of drum and bass, and he is still the most faithful soldier for the scene around the world.
His early influences came from his mother's background in the jazz scene, and it is improvisation and variety that characterise his DJ performances throughout his career.
At the start of the eighties, Nicky was 14 and playing electro at youth clubs in London. He played with long-time collaborator Clarky and began to mix all forms of dance music, at house parties and on the radio.
Friends FM, run by Mad B, gave Nicky a good education and the momentum to start his own shop in London, the legendary Blackmarket Records. In 1992, as the house scene moved towards breakbeat, Nicky created a separate department downstairs to cater for the sound that would eventually be called Drum and Bass.
In the mid-nineties Nicky pushed the hardcore scene with a regular show on Pulse FM and performances at the Roller Express. He moved into production, making his first record 'Spam EP', along with various remixes and releases on his label Gyroscope, with artists like Ray Keith.
This exposure fuelled his DJ career and Nicky decided to put all his efforts into playing his music around the world.
'...first and foremost I am a DJ.'
As the jungle scene exploded Nicky formed his legendary partnership with the late Stevie Hyper D. These performances are still regarded as the standard by which all others are judged, and mp3s of those sets will probably be on the internet forever.
Blackmarket Records supported the scene as a focus for the community, an essential component in an world without the internet. Nicky started another label 'Kartoonz' featuring the anthem 'Two Degrees', confirming his status as a central force in the scene.
Unlike many superstars, Nicky still works in his shop and is a promoter of fresh talent and ideas, unafraid to help new artists and organisers push the artform forward. His love of drum and bass keeps him from descending into the mindless repetition and lazy performances characteristic of many in the scene.
Nicky invites you to sample his philosophy at the shop in D'Arblay St, London, or at any of his shows around the world.
His early influences came from his mother's background in the jazz scene, and it is improvisation and variety that characterise his DJ performances throughout his career.
At the start of the eighties, Nicky was 14 and playing electro at youth clubs in London. He played with long-time collaborator Clarky and began to mix all forms of dance music, at house parties and on the radio.
Friends FM, run by Mad B, gave Nicky a good education and the momentum to start his own shop in London, the legendary Blackmarket Records. In 1992, as the house scene moved towards breakbeat, Nicky created a separate department downstairs to cater for the sound that would eventually be called Drum and Bass.
In the mid-nineties Nicky pushed the hardcore scene with a regular show on Pulse FM and performances at the Roller Express. He moved into production, making his first record 'Spam EP', along with various remixes and releases on his label Gyroscope, with artists like Ray Keith.
This exposure fuelled his DJ career and Nicky decided to put all his efforts into playing his music around the world.
'...first and foremost I am a DJ.'
As the jungle scene exploded Nicky formed his legendary partnership with the late Stevie Hyper D. These performances are still regarded as the standard by which all others are judged, and mp3s of those sets will probably be on the internet forever.
Blackmarket Records supported the scene as a focus for the community, an essential component in an world without the internet. Nicky started another label 'Kartoonz' featuring the anthem 'Two Degrees', confirming his status as a central force in the scene.
Unlike many superstars, Nicky still works in his shop and is a promoter of fresh talent and ideas, unafraid to help new artists and organisers push the artform forward. His love of drum and bass keeps him from descending into the mindless repetition and lazy performances characteristic of many in the scene.
Nicky invites you to sample his philosophy at the shop in D'Arblay St, London, or at any of his shows around the world.
Not available
hawker1988
Rating:
(9)
Apr 26, 2008