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 Overall Rating: 7.6

 

 Audio Quality: 7.7
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7 other sets by Stacey Pullen
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Stacey Pullen - RBOM on XM80 - May 2007

Submitted By: Top 100Techlive
Genre: Techno
Date of Set: May 4th, 2007
Filesize: 43.62 MB
Total Downloads: 41

 

 

Biography of Stacey Pullen

Under the influence of Kraftwerk, Derrick May, Juan Atkins and Jeff 'The Wizard' Mills, Chicago and Italian house music and the radio icons of the Electrifyin' Mojo and WBMX/Chicago, Stacey Pullen was nurtured in the rich, fecund musical soil of Detroit in the mid 80's. Inspired by the mystical epicenter of the techno earthquake, The Music Institute, Stacey began spinning at local venues and underground parties only to chuck it for a short three years to pursue a collegiate career.

Drawn back by his destiny, Stacey released his Ritual Beating System under the alter ego known as Bango. The full, resonant tribal percussion of that release opened the musical minds of others who followed with tribal dance tracks of their own. Similar to the innovators that came before him, Pullen's first release was a big sound influencing others throughout the world.

As a result of remixing projects and a hoard of releases on KMS Records, Eclipse Records, BMG/Ariola, Buzz, PIAS/Belgium, R&S, Warner, Virgin and, of course, Transmat Records, Stacey has been in demand all over the world mixing magic on the dance floors to countless fans. His exotic style has taken him all over North America, the Dutch Caribbean, Chile, Australia, Japan and throughout Europe.

At the same time he has developed his vibe into a mixture of ambient, jazzocentric grooves. Silent Phase' the signature of his first album on Transmat Records. Born under the sign of the Twins, Stacey's music is dual in perspective and approach. True to the pure electronic sound of the 80's/90's, he grooves with a round, heavier African bottom. Flowing from two inherent sources Silent Phase is both the passion and energy of the soul fused with the vision and expansiveness of his mind's eye.

http://www.myspace.com/staceypullen

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USER COMMENTS

Rating: (6)

May 27, 2007

Comment: I may enjoy this mix if I was really twisted, but it just seems to chug along and its easy to lose interest at a few parts. The mix is only about 30 minutes. There is a horn track that starts around 22:30 that I dig alot, but besides that I wouldn't pick up any of these tracks personally.
 
 
 
 

Rating: (7)

Oct 16, 2007

Comment: The mix starts off really nice and funky, it put a good smile on my face since i love SP's DJing. But like lgreen says, the mix loses you at a few points in the second half. Two elements that i really loved were (i don't know if this was the track or a sample layed on top of the beat) 1) Malcolm X's talking about house negroes and field negroes (i know the whole speech so the little quote brought it all back for me but i actually would have loved to hear more). 2) The horn (again, mentioned by lgreen) which had affinities with free- or experimental-jazz. These are two things are what i love about detroit artists, the daring to bring politics into the mix in what is so frequently a hedonistic party scene. What keeps me from giving this mix a better rating is that i've heard SP spin and i have heard much better from him. Still, this is very much worth hearing.