Est. April 2003
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Overall Rating: 10.0
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1 other sets by DJ Feelgood - Terry Mullan
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DJ Feelgood - Game - Part 2
Submitted By: 
lil_al_5
lil_al_5Genre: Old Skool
Date of Set: Unknown
Filesize: 42.08 MB
Total Downloads: 5
Biography of DJ Feelgood
Legendary for his role in the birth of the electronic music scene in the Baltimore/Washington DC area,Charles Feelgood has built a reputation as a DJ in the international dance community through his ingenious remix skills and a dynamic brand of funky disco and hard house.
Cultivating a fascination with music since childhood,Charles grew up listening to Motown,disco and funk,genres that heavily influenced his personal style as an artist.
'I used to stay up late listening to my dad play records and decided that was what I wanted to do,' says Feelgood.His first foray into the world of dance music was in the 80's,throwing small scale parties under the name'House of Fields'.From Depeche Mode to Aretha Franklin dance mixes - the music was very eclectic at the parties and you can hear that range of genres in Charles's sets today.
An Integral part of the Baltimore/DC scene,Charles if often credited with helping to put the scene on the house music map. In 1992 he joined forces with fellow DJ
Scott Henry to launch Fever, a club event that introduced the sounds of electronic music to his hometown. The first event of its kind in that region, the night exploded in popularity almost immediately, attracting upwards of 25,000 people. Featuring such top-notch, internationally renowned talent as Paul Van Dyk and Carl Cox, the biweekly event ran through May 2001.
Maintaining a seven-year residency at Fever helped springboard Feelgood's eminently danceable brand of bangin' hard house to widespread exposure across the East Coast. His popularity quickly bloomed thanks in part to his legendary series of mixed tapes, 'Time to Get Ill.' He soon developed a club-heavy touring schedule that regularly took him to famed clubs such as Avaland, Spundae, Shampoo, and Cro Bar, along with numerous other venues on the West Coast, Canada, Europe, Asia and South America.
In 1993 ,Feelgood launced his own label,Charme City recordings,to creat an outlet for his original material.His releases on the label found moderate success.but ultimately,launching his own label proved to be a crucial stepping stone for exposing his material to more famous imprints.
Charles is busy in the studio again working on new releases for his newest imprint'Getro Retro' which will be launched in early 2007.The label will focus on house with a 'ghetto retro' feel-so be on the lookout for tracks in your local record stores and Beatport.com soon.
Following a successful mixed CD release in 2000 on Warner Bros. offshoot F-111, Feelgood joined forces with North America's premier electronic music label in 2001 to release the well-received 'Can You Feel It,' followed later that year by an installment in the djmixed.com series.In 2002 Charles released'Across America' on the System imprint and in 2004 released all original tracks and remixes on Topaz entitled 'House Music'. Coming Feb 6 2007, Charles will release his newest double mix cd on Moist Music.
According to Feelgood, the secret to a great mix CD is recreating the club experience on vinyl. But despite the immense popularity and critical acclaim his mixed CD's have received, he still prefers to produce original records for the artistic freedom it allows.
In 2001 Charles opened a bar/lounge in Baltimore called Shortys where local dj's spin 7 nights a week.'I wanted to have a spot where local dj's could get a start and be heard.I remember how hard it was to get started so I just wanted to open a place where the up and coming could play'. We are now moving into 2007 and Shortys is still serving the novice dj and listener alike!
Constantly in demand all over the world for his ability to light up dance floors with his sets of funk,acid and electro drenched house, Feelgood has received numerous accolades in his thirteen-year career. These include being named Baltimore's Best DJ, and being included in Bpm magazines top 100 Dj's several years running.
Feelgood notes 'I definitely try and take the listeners on a musical journey - I like to start out slow and funky and push for a harder ending, a continuous rise.'
'I'm far from a purist,' he adds. 'I incorporate many styles into a single set. I play everything from disco-influenced house to acapella tracks and tech house, and I especially love bootlegs and electro influenced tracks'.
The consummated dance floor rocker, Feelgood sums up his musical mission in one sentence: 'I just want to do what the name implies, to make people have a good time and go home with a great feeling.'
Cultivating a fascination with music since childhood,Charles grew up listening to Motown,disco and funk,genres that heavily influenced his personal style as an artist.
'I used to stay up late listening to my dad play records and decided that was what I wanted to do,' says Feelgood.His first foray into the world of dance music was in the 80's,throwing small scale parties under the name'House of Fields'.From Depeche Mode to Aretha Franklin dance mixes - the music was very eclectic at the parties and you can hear that range of genres in Charles's sets today.
An Integral part of the Baltimore/DC scene,Charles if often credited with helping to put the scene on the house music map. In 1992 he joined forces with fellow DJ
Scott Henry to launch Fever, a club event that introduced the sounds of electronic music to his hometown. The first event of its kind in that region, the night exploded in popularity almost immediately, attracting upwards of 25,000 people. Featuring such top-notch, internationally renowned talent as Paul Van Dyk and Carl Cox, the biweekly event ran through May 2001.
Maintaining a seven-year residency at Fever helped springboard Feelgood's eminently danceable brand of bangin' hard house to widespread exposure across the East Coast. His popularity quickly bloomed thanks in part to his legendary series of mixed tapes, 'Time to Get Ill.' He soon developed a club-heavy touring schedule that regularly took him to famed clubs such as Avaland, Spundae, Shampoo, and Cro Bar, along with numerous other venues on the West Coast, Canada, Europe, Asia and South America.
In 1993 ,Feelgood launced his own label,Charme City recordings,to creat an outlet for his original material.His releases on the label found moderate success.but ultimately,launching his own label proved to be a crucial stepping stone for exposing his material to more famous imprints.
Charles is busy in the studio again working on new releases for his newest imprint'Getro Retro' which will be launched in early 2007.The label will focus on house with a 'ghetto retro' feel-so be on the lookout for tracks in your local record stores and Beatport.com soon.
Following a successful mixed CD release in 2000 on Warner Bros. offshoot F-111, Feelgood joined forces with North America's premier electronic music label in 2001 to release the well-received 'Can You Feel It,' followed later that year by an installment in the djmixed.com series.In 2002 Charles released'Across America' on the System imprint and in 2004 released all original tracks and remixes on Topaz entitled 'House Music'. Coming Feb 6 2007, Charles will release his newest double mix cd on Moist Music.
According to Feelgood, the secret to a great mix CD is recreating the club experience on vinyl. But despite the immense popularity and critical acclaim his mixed CD's have received, he still prefers to produce original records for the artistic freedom it allows.
In 2001 Charles opened a bar/lounge in Baltimore called Shortys where local dj's spin 7 nights a week.'I wanted to have a spot where local dj's could get a start and be heard.I remember how hard it was to get started so I just wanted to open a place where the up and coming could play'. We are now moving into 2007 and Shortys is still serving the novice dj and listener alike!
Constantly in demand all over the world for his ability to light up dance floors with his sets of funk,acid and electro drenched house, Feelgood has received numerous accolades in his thirteen-year career. These include being named Baltimore's Best DJ, and being included in Bpm magazines top 100 Dj's several years running.
Feelgood notes 'I definitely try and take the listeners on a musical journey - I like to start out slow and funky and push for a harder ending, a continuous rise.'
'I'm far from a purist,' he adds. 'I incorporate many styles into a single set. I play everything from disco-influenced house to acapella tracks and tech house, and I especially love bootlegs and electro influenced tracks'.
The consummated dance floor rocker, Feelgood sums up his musical mission in one sentence: 'I just want to do what the name implies, to make people have a good time and go home with a great feeling.'
Terry Mullan - Game - Part 2
Submitted By: lil_al_5
lil_al_5Genre: Old Skool
Date of Set: Unknown
Filesize: 42.08 MB
Total Downloads: 5
Biography of Terry Mullan
Terry Mullan, Chicago's turntablist extraordinaire, turns out dance floors week after week throughout the US and abroad. His credits include Twilo, 1015 Folsom, Sona, Bugged Out, The End, Pure, The Queen amongst raves as far off as Japan, Australia and Germany. He has developed a faithful following to those who know through his signature style of funky quirky jacking acid house combined with cutting and scratching making up an entirely new genre all his own.
The eighties posed as the formative years of Terry's career. Although his roots began in hiphop, he found himself smack in the middle of the Chicago house explosion. House and Disco were styles of music that were entirely new to Terry, but the match was struck. Soon after gaining inspiration from the Chicago air personalities like Ron Hardy, Farley 'jack master' Funk, Mike 'hitman' Wilson via 102.7 WBMX, Terry made house his home. Next, when acid house hit the US, the link was completed; Terry found the sound he was looking for. Never one to follow the masses, he borrowed from each genre to create what we all know to be Terry's sound, putting a bad ass twist on an otherwise conservative house scene.
Terry's activities soon diversified to include remixing and producing. With the development of his own label Catalyst Recordings, Terry took things to the next level. Through his label he released projects for the likes of DJ Sneak and Ian Pooley, as well as for himself under Speakerphreaker. Additionally, Terry gained notoriety for his track under the moniker 'Serotonin project' which was featured on the Chemical Brothers mix album entitled 'Brothers gonna work it out'. Some of Terry's more recent accomplishments include the largely successful 'La Nina/Nickel bag da funk' E.P. on Smile under Speakerphreaker. (Terry Mullan & Halo Varga collaboration). His remixes for and alongside DJ Dan are also favorites of DJs all over the globe. These tunes have earned him a reputation that extends worldwide. If you have experienced a Terry Mullan set (and chances are you have) then you know he rocks the show, 'nuff said!
http://www.myspace.com/terrymullanacidog
The eighties posed as the formative years of Terry's career. Although his roots began in hiphop, he found himself smack in the middle of the Chicago house explosion. House and Disco were styles of music that were entirely new to Terry, but the match was struck. Soon after gaining inspiration from the Chicago air personalities like Ron Hardy, Farley 'jack master' Funk, Mike 'hitman' Wilson via 102.7 WBMX, Terry made house his home. Next, when acid house hit the US, the link was completed; Terry found the sound he was looking for. Never one to follow the masses, he borrowed from each genre to create what we all know to be Terry's sound, putting a bad ass twist on an otherwise conservative house scene.
Terry's activities soon diversified to include remixing and producing. With the development of his own label Catalyst Recordings, Terry took things to the next level. Through his label he released projects for the likes of DJ Sneak and Ian Pooley, as well as for himself under Speakerphreaker. Additionally, Terry gained notoriety for his track under the moniker 'Serotonin project' which was featured on the Chemical Brothers mix album entitled 'Brothers gonna work it out'. Some of Terry's more recent accomplishments include the largely successful 'La Nina/Nickel bag da funk' E.P. on Smile under Speakerphreaker. (Terry Mullan & Halo Varga collaboration). His remixes for and alongside DJ Dan are also favorites of DJs all over the globe. These tunes have earned him a reputation that extends worldwide. If you have experienced a Terry Mullan set (and chances are you have) then you know he rocks the show, 'nuff said!
http://www.myspace.com/terrymullanacidog
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