Est. April 2003
MPIII.com is an online community of people that find interest in electronic music. We strive to promote electronic music and the artists that create it. MPIII.com features downloads of live sets and mix sets posted by our members. These live sets and mix sets are posted in appreciation for the artists that created them. You will find biographies, images and links for all the artists featured on the site. This helps in promoting the people that create the music which we love. MPIII.com takes much pride in being a site rich with information and knowledge. Artists and DJs alike can use the site as a stepping stone to help them in their musical careers while we here at MPIII.com continue to provide thousands of downloads, videos, livesets and mixes to our devoted members.
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If you are the owner of any of these live sets or mix sets and wish to have them removed, please contact us by clicking here.
Overall Rating: 8.0
Audio Quality: 8.3
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Adam Beyer - The Schranz-Experience
Submitted By: 
predrag01
predrag01Genre: Techno
Date of Set: Unknown
Filesize: 37.30 MB
Total Downloads: 16
Biography of Adam Beyer
Adam Beyer became dedicated to the fascinating world of rhythm early on. After playing the drums as a teenager his obsession turned to the decks. In 1990 he bought his first set of turntables and started spinning a wide range of hiphop, hiphouse, acid and techno at local parties and clubs. Beyer soon learned how to blend his sets in a thoughtfull and highly focused way, a talent that has now developed into his trademark style.
In 92 Fellow school friend Peter Benisch introduced Beyer to the sampler , a year later they got their first record deal with New York based Direct Drive. After finishing school in 1995, Beyer started work at the Planet Rhythm record store while releasing some tracks under a variety of names and continually djing all over Scandinavia. Adam Beyer sites Drumcodes 1 (Planet Rhythm 1995) as the first record to define his style; hard, percussive and loop oriented. This 12' names Beyer´s future label and was soon followed by his critically acclaimed debut album Decoded (Planet Rhythm 1996).
His need to create the perfect dj tool gave rise to the launch of the Drumcode label allowing him total musical freedom. The label´s strong concept and high production levels meant it enjoyed immediate success. After six releases Beyer launched his second label Code Red focusing on a slightly softer side of techno. Code Red finished with its 10 th and final release Stand Down (Code Red 1999) which was a compilation of remixes from various international artists.
His production skills soon brought Beyer to the attention of djs worldwide and global bookings soon followed. His meteoric rise has been cited as one of the catalysts for Swedish techno´s current influence. He pinpoints the Stockholm sound as being closely linked to his network of friends in the city aswell as the triumvirate of himself, Joel Mull and Cari Lekebusch. After many releases and remixes on various labels he launched the second album Protechtion (Drumcode 1999).
While the market was being flooded with monoton loop oriented techno Beyer worked on strengthening the arrangements that characterised his earlier works, aswell as adding melodic strings. Still with a clear focus on the dance floor. The same year Adam Beyer and Cari Lekebusch linked up to create a stunning live act first witnessed in London to instant acclaim. The act created the intense feeling of a creative dj set while the duo played back to back mixing their production styles.
In 92 Fellow school friend Peter Benisch introduced Beyer to the sampler , a year later they got their first record deal with New York based Direct Drive. After finishing school in 1995, Beyer started work at the Planet Rhythm record store while releasing some tracks under a variety of names and continually djing all over Scandinavia. Adam Beyer sites Drumcodes 1 (Planet Rhythm 1995) as the first record to define his style; hard, percussive and loop oriented. This 12' names Beyer´s future label and was soon followed by his critically acclaimed debut album Decoded (Planet Rhythm 1996).
His need to create the perfect dj tool gave rise to the launch of the Drumcode label allowing him total musical freedom. The label´s strong concept and high production levels meant it enjoyed immediate success. After six releases Beyer launched his second label Code Red focusing on a slightly softer side of techno. Code Red finished with its 10 th and final release Stand Down (Code Red 1999) which was a compilation of remixes from various international artists.
His production skills soon brought Beyer to the attention of djs worldwide and global bookings soon followed. His meteoric rise has been cited as one of the catalysts for Swedish techno´s current influence. He pinpoints the Stockholm sound as being closely linked to his network of friends in the city aswell as the triumvirate of himself, Joel Mull and Cari Lekebusch. After many releases and remixes on various labels he launched the second album Protechtion (Drumcode 1999).
While the market was being flooded with monoton loop oriented techno Beyer worked on strengthening the arrangements that characterised his earlier works, aswell as adding melodic strings. Still with a clear focus on the dance floor. The same year Adam Beyer and Cari Lekebusch linked up to create a stunning live act first witnessed in London to instant acclaim. The act created the intense feeling of a creative dj set while the duo played back to back mixing their production styles.
Gayle San - The Schranz-Experience
Submitted By: predrag01
predrag01Genre: Techno
Date of Set: Unknown
Filesize: 37.30 MB
Total Downloads: 16
Biography of Gayle San
Gayle Sans career already began in the late 80s in her hometown Sinapore. She started as a warmup DJ for Bands such as 'Kool and the Gang' 'Earth Wind and Fire' and the 'Commodores'
Leaving her native Singapore some in the early 90s, nobody expected such a massive success for Gayle in the music business. Gayle's first steps into the London clubs were via DJing at record company parties, various one-off guest spots and fashion shows. These slots soon led to Gayle being made resident at 'Reach for the Sky' at London's Limelight club, where she played alongside global DJs which Gayle describes as 'the steepest learning curve possible'.
Having honed her DJing skills and broadened her understanding of music, Gayle began to experiment with the harder side of dance music, particularly the lesser known techno sounds coming into Britain from Europe and the US.
Her chance to pioneer this music in England came when Gayle became resident at Universe's legendary Final Frontier club, at Club U.K. in south London, which then moved on to become Universe Voyager at their new club, the Complex in north London. Widely regarded as one of the best club nights in the world, it was not long before Gayle had amassed a following of techno pilgrims who would make journeys from as far as Edinburgh to hear her play.
Gayle's reputation spread like wildfire over the techno centres of Europe, most notably a residency once a month at the legendary Omen club in Frankfurt, the socalled 'Mecca of techno'. Other European and American dates have included some of the most underground clubs in the world, like Bionic in Detroit, Pure Pleasure parties in Chicago, Soma in Montreal, Twilo in New York, Zouk Club in Singapore, Florida 135 in Spain, Fuse Club in Belgium and many more all over Europe and the U.S.A.
In 2000 she was voted number 6. of the most popular international DJs in Germany. Regaring the massive competition of the worlds DJs it was the honour of her hard work in the last years.
DJing has naturally led to various studio work. Gayle has developed a sound that takes the intelligent beats of the underground, funky/hard/groove techno sound mixed with her very own style.
She has recorded tracks under the name Transmakus namely Universe Anthem and Violator which have been included on the Tribal Gathering 94 and 95 albums respectively. Gayle has also recorded a single 'Way of the Dragon' for Rainforest Records, mixed a live set for the official Tribal Gathering 96 album. On her own label Equator she released some solo Eps and collaboration Eps with Mark Williams.
In 1998 she mixed the CD from the Fine Audio Mix CD series. The success of this CD overwhelmed everyone who was involved in this project. The CD was sold out in just two months.
In 1999 she released a new EP on Touch Tone. Again this release was sold out in a recordtime. In february 2000 she released her Brickliners EP on Fine Audio Rec. The first pressing was in a limited edition on white vinyl and after the sellout of this, the next pressing came in black and was sold out before the actual releasedate already.
In the beginning of 2000 she released her second Mix CD called Gayle San at the wheels of steel on the new label Galvanic. For that release Gayle went on a big Worldtour bringing her into more then 30 clubs in just three months. The tour went from the USA to Europe (Germany, Hungary, Czech Rep., Belgium, Netherlands, France) to Asia. This CD was votet the best Mix CD of the releasemonth in many magazines.
Also in the year 2000 she started a new collaboration with Jam el mar (Jam and Spoon, Dance 2 Trance) This collaboration runs under the name Jamsan The first release was released on the label Cry Baby and was highly rated in many magazines and recordshop salescharts.
In March 2000 she released her Backbone ep on Black Nation from Kalamazzo, USA and in April her The Lab epon Primate UK.
As if this would be not enough she mixed the Titan Edition Techno on the austrian Label XXX and did the official Compilation of the famous german rave Time Warp
In Summer 2001 she relaunched her own label Equator. The first release from the new series is a cooperation with Jay Denham and releases from Flatner Ingram, Justin Berkovi, Bryan Zentz, Cristian Varela, Keita Shinohara and many more will follow. Gayles idea is to give also lesser known producers from all over the world a platform to release their productions. It will be interesting what tracks Gayle will find for Equator.
Next to her successfull DJ carreer and her busy studiowork her famous and popular DJ gigs, the future of Gayle San never looked brighter.
http://www.myspace.com/gaylesan
Leaving her native Singapore some in the early 90s, nobody expected such a massive success for Gayle in the music business. Gayle's first steps into the London clubs were via DJing at record company parties, various one-off guest spots and fashion shows. These slots soon led to Gayle being made resident at 'Reach for the Sky' at London's Limelight club, where she played alongside global DJs which Gayle describes as 'the steepest learning curve possible'.
Having honed her DJing skills and broadened her understanding of music, Gayle began to experiment with the harder side of dance music, particularly the lesser known techno sounds coming into Britain from Europe and the US.
Her chance to pioneer this music in England came when Gayle became resident at Universe's legendary Final Frontier club, at Club U.K. in south London, which then moved on to become Universe Voyager at their new club, the Complex in north London. Widely regarded as one of the best club nights in the world, it was not long before Gayle had amassed a following of techno pilgrims who would make journeys from as far as Edinburgh to hear her play.
Gayle's reputation spread like wildfire over the techno centres of Europe, most notably a residency once a month at the legendary Omen club in Frankfurt, the socalled 'Mecca of techno'. Other European and American dates have included some of the most underground clubs in the world, like Bionic in Detroit, Pure Pleasure parties in Chicago, Soma in Montreal, Twilo in New York, Zouk Club in Singapore, Florida 135 in Spain, Fuse Club in Belgium and many more all over Europe and the U.S.A.
In 2000 she was voted number 6. of the most popular international DJs in Germany. Regaring the massive competition of the worlds DJs it was the honour of her hard work in the last years.
DJing has naturally led to various studio work. Gayle has developed a sound that takes the intelligent beats of the underground, funky/hard/groove techno sound mixed with her very own style.
She has recorded tracks under the name Transmakus namely Universe Anthem and Violator which have been included on the Tribal Gathering 94 and 95 albums respectively. Gayle has also recorded a single 'Way of the Dragon' for Rainforest Records, mixed a live set for the official Tribal Gathering 96 album. On her own label Equator she released some solo Eps and collaboration Eps with Mark Williams.
In 1998 she mixed the CD from the Fine Audio Mix CD series. The success of this CD overwhelmed everyone who was involved in this project. The CD was sold out in just two months.
In 1999 she released a new EP on Touch Tone. Again this release was sold out in a recordtime. In february 2000 she released her Brickliners EP on Fine Audio Rec. The first pressing was in a limited edition on white vinyl and after the sellout of this, the next pressing came in black and was sold out before the actual releasedate already.
In the beginning of 2000 she released her second Mix CD called Gayle San at the wheels of steel on the new label Galvanic. For that release Gayle went on a big Worldtour bringing her into more then 30 clubs in just three months. The tour went from the USA to Europe (Germany, Hungary, Czech Rep., Belgium, Netherlands, France) to Asia. This CD was votet the best Mix CD of the releasemonth in many magazines.
Also in the year 2000 she started a new collaboration with Jam el mar (Jam and Spoon, Dance 2 Trance) This collaboration runs under the name Jamsan The first release was released on the label Cry Baby and was highly rated in many magazines and recordshop salescharts.
In March 2000 she released her Backbone ep on Black Nation from Kalamazzo, USA and in April her The Lab epon Primate UK.
As if this would be not enough she mixed the Titan Edition Techno on the austrian Label XXX and did the official Compilation of the famous german rave Time Warp
In Summer 2001 she relaunched her own label Equator. The first release from the new series is a cooperation with Jay Denham and releases from Flatner Ingram, Justin Berkovi, Bryan Zentz, Cristian Varela, Keita Shinohara and many more will follow. Gayles idea is to give also lesser known producers from all over the world a platform to release their productions. It will be interesting what tracks Gayle will find for Equator.
Next to her successfull DJ carreer and her busy studiowork her famous and popular DJ gigs, the future of Gayle San never looked brighter.
http://www.myspace.com/gaylesan
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Rating:
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Dec 30, 2006